Hand drum sealed inside a plastic bag; bag is secured shut with a paper manufacturer's label stapled over the opening. Drum is hour-glass shaped; bottom is open and top is covered with lizard skin, secured with plant fibre tie and resin(?). Rectangular handle protrudes from centre of drum; wide arch extends from other side, for resting drum against leg. Drum is undecorated. Light blue card inserted into bag, behind drum, with image of person playing drum and one of the drum itself; paragraph of text describes maker, materials, and construction techniques.

Very heavy, cast bronze drum. The round drum head has a 14-pointed star at the centre, with many bands of dots, swirls and linear designs, and three larger bands with various birds, animals and humans. The sides are also decorated with many bands of designs except for the lower base, which is plain. There are four large handles attached to the sides. The inside is hollow. The metal appears to have a bronze coloured paint applied over the entire outer surface.

Double-headed conical drum. The animal hide stretched over both ends. The hide has white and reddish brown hair. Thin strips of skin are used to stitch the two skins together, leaving a zigzag pattern around the wooden centre. Thin strips of skin are twisted to create a handle on the side.

Drum made from stretched hide over a wooden frame with a painted design on the front; part b is a drumstick. The front of the round drum has a painted seal in profile, in black, red and grey, with several vertical turquoise blue designs on both sides of the seal. The eye of the seal is an abalone circle, adhered in place. The outer edge of the drum has a thick black line painted all the way around; the background is natural skin. The hide is tied all around the back edge with sinew cords that join at the centre, wrapped with hide strips for the handle. Signed inside David Mungo Know Seal 92. The drumstick is wood; the head consists of fuzzy sheep skin secured over the end, with a beige leather thong wrapped around the handle, with a long leather fringe hanging from it.

Drum made from stretched hide over a wooden frame with a painted design on the front; part b is a drumstick. Round drum is covered in painted designs in black, turquoise blue and red with a natural off-white background. The designs also cover the outside edge. The hide is tied all around the back edge with sinew cords that join at the centre, wrapped with hide strips for the handle. Signed inside Mike Dangeli 2017. The drumstick is wood; the head consists of padded hide tied securely over the end, with a hide tie on the handle.

Painted drum (part a) made of stiffened skin stretched over round wood frame. Skin wraps around frame edges to the back; thin strips of sinew looped through holes in skin draw material tight. Sinew strips lashed together in centre with leather thongs; black looped cord attached to leather, for hanging purposes. Face of drum has bird, fin and sun motifs painted across surface, made up of formline design elements; done in dark blue, gold, and dark red. Artist signature and date made painted along side of drum; done in red. Drum rests inside separate square wood frame (part b) with tall walls (Metal hooks and wire in interior and on back of frame, for hanging purposes).

Goblet-shaped drum (part a) with animal skin stretched over the top. Skin is secured with seven removable wooden pegs (parts b-h) and fibre cords. Bottom edge of skin is trimmed with braided cotton(?); loops knotted throughout trim. Two braided plant fibre bands wrap around body and are strung through loops; pegs fit in between cotton and plant fibre. Thick braided cord attached to bands at top and a plain piece of plant fibre tied around base; used as a carrying strap. Long neck in between head and base of drum; protruding lips where sections meet neck.

Small goblet-shaped drum (part a) with animal skin stretched over the top. Skin is secured with five removable pegs (parts b-f) and fibre cords. Bottom edge of skin is trimmed with braided cotton(?); loops knotted throughout trim. Two braided plant fibre bands wrap around body and are strung through loops; pegs fit in between cotton and plant fibre. Thick braided cord attached to bands at top and a plain piece of plant fibre tied around base; used as a carrying strap. Long neck in between head and base of drum; protruding lips where sections meet neck.

Circular wood drum frame with animal skin stretched over the top and bottom. Skins are laced together with thin strips of cane, creating a zigzag pattern around sides of frame. Light-coloured trident design on batter head, along top edge; resonant head is undecorated. Looped tie threaded through cane strips along top edge of frame, for hanging purposes; carved wood handle extends from bottom edge of frame. Handle is cylinder-like in shape, with a pointed bottom. Three heads circle top edge of handle with six decorated rings below. Rings are an assortment of bulbous, angled and flat shapes; decorations are incised lines, geometric motifs and raised scallops. Point of handle has three sides; bird beak, snake and intertwined rivers decorate sides. Drum contains a rattle.

Hourglass-shaped, wooden drum; both ends are round and open. One half of the drum is undecorated. The other half is covered entirely in horizontal bands, with designs carved in low relief. Top band has a plain white line through the centre, trimmed with orange on either side. Second band has an orange zigzag in the middle. The negative space is painted orange and white, creating a triangular motif. Third band is made up of a line of chevrons, alternating in orange and white. The fourth band is the widest, with large repeating diamonds with stylized orange crosses in the centres. All diamond exteriors have orange borders, some have white interior borders and some crosses are trimmed with white. Negative space along top of band is painted white and negative space along bottom is painted orange, creating a triangular motif. Bottom band is identical to second, but thinner. Interior of one opening has vertical beige lines, painted at intervals along the edge.