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The clam basket represents a highly successful solution to an everyday problem in Northwest Coast life. Baskets made to hold clams as they are dug must be rigid and strong, but must allow water and mud to pass through the walls when the clams are rinsed. The solution was a large, flaring basket of split spruce or cedar root in the open wrapped twining technique. The basket, full of clams, can be plunged up and down in the water, and the sand and mud clinging to the shells are quickly removed, draining through the sieve-like sides. (Holm, Crooked Beak of Heaven, 1972)
Cedar root basket with wrapped twine openwork weave. Has a twisted handle that is threaded through each of the four loops on the four major warp supports. Bottom is not flat but is formed of triangular supports.
Conical hat (no liner) with knob at crown; wrapped twine cedar warp over 3-corner grass horizontal weft; inner weft of swamp grass. Purple-black dyed cedar decoration with three rows of checkerboard at bottom (rows 3-5). On main brim of hat are two horizontal bands with a whaler, holding a harpoon, standing in a canoe with a whale to the right. Above each canoe is a line with three diagonal spurs along top of line and at widest point of knob are three checkerboard rows. Twining varies in element size with wider elements in four rows around centre, at brim, below meander and on knob. Inside is cedar slat head band with evenly spaced, wide, vertical grass supports worked into the basketry at top of band and ending in two rows of twine at bottom.
Tightly woven button with a grey circle at the centre with an alternating yellow and red border (one row). This is contained within a blue circular line. Two black thunderbirds are on each side of the central motif with five alternating yellow and orange triangles across the wingspan. Alternating red and yellow triangles are on the outer border of the button and green on the edge. Basketry continues on the reverse with a blue-grey outer border for two rows.