Hunter is leaning back, almost reclining with his legs braced against a wedge-shaped stone (ice?). There is a walrus lying on its side on the other side of the rock. The hunter is holding a thin hide line which passes through holes in his hands, the top ridge of the rock and attaches to the walrus's body. The walrus's back flippers are crossed and there are four vertical lines along its underbelly and several curved lines at its neck. The hunter has a broad face, rimmed oval eyes and rimmed straight mouth. His hair forms a cap on his head. Large indentation on top side of rock. Hair and walrus have been polished.

Figure kneeling on one leg in front of a round hole in a flat rectangular platform (a) a smaller figure also kneels beside the hole. The larger figure is dressed in a parka with the hood down. His hair is indicated by a series of lines. Facial features include curved ears, a long straight nose, deep, small oval eyes and a small straight mouth. In his raised right hand he holds a leister spear (e) with a wooden shaft and three ivory prongs (g) attached to the shaft with wrapped thread. The leister holds a fish (part b). In the other hand he holds an ivory jig hook on a thread, tied to a wooden handle (d). The smaller figure has his hood up and similar facial features as the larger figure. A separate spoon (c) has a detachable wooden handle (f). Disc number inscribed on bottom reads E8 503.

Coiled cedar root basketry cradle (part a) with slat foundation and sides. Cradle is rounded at the higher, wider proximal end and is tapered and narrow at the distal end. Fully beaded overcast rim. Remainder of the cradle is plain on the inside and decorated with beading and imbrication on the outside. Rim pattern has mainly canary grass with several repeats of alternating cherry bark and grass. There are seven side coiled rows. First two rows repeat a pattern of closely spaced grass chevrons alternating with wider spaced red or dark brown cherry bark chevrons. Rows three and four repeat above pattern in alternating areas. Rows five and six feature three vertical red cherry bark lines alternating with a darker diamond or x-shaped pattern. Row seven is undecorated. No foot. Plain coiled bottom. Tumpline or carrying strap (part b) with wool wefts and multiple element warps is weft-faced plain weave in a light white-brown and red zigzag pattern. On each end of the strap, there is a machine-stitched, hide backed strip of plaid material which has a shell button on the strap end and a button hole at the other. Each end is buttoned over a strip of hide which is tied on each side of the cradle just below the rim with small strips of hide. There is a small piece of cordage tied to one side.

The shape of the mask is like a high triangle, two planes intersecting on the median of the face. The heavy eyebrows are painted black, but are not raised. The brow slopes and projects sharply above the nose. Each eye is set in a concave orb in the mask. The eye is made up of a painted white ring surrounding a round hole (2 cm. in diameter, 2 mm deep). The hooked nose is long and narrow and merges with the backswept cheek planes. Up-thrusted narrow nostrils are painted orange. The mouth, encircled by a concave recess, is formed by full, protruding lips, drawn back slightly separated and painted orange. Along the top edge of the mask extend strands of black hair shredded and twisted cedar bark strands, and grey-white feathers. Inside the mask is a leather frame to fit the head.

Six charms or amulets strung on a sinew string, tied to form a bracelet. Four charms are heads with hairline or hood indicated around faces. Foreheads and straight noses are in higher relief than facial plane, and eyes and mouths are straight lines. Sinew runs through holes in flange at bottom of each head. Small standing figure with hole through head and small phallic-shaped seal are on either side of one head. Small figure is darker than other charms.

A bundle originally wrapped in bark (part a) (now fragmented). Contains two river pebbles (parts b-c) rubbed with red ochre, a string of cassowary feathers about 42 cm. long (part d), a length of cotton cord, (part e) on which, there are threaded small fibre balls and at the end of which, there is a 3 cm. long strip of red cloth, one fossil (part f) and two pieces of obsidian (parts g-h).

A bundle wrapped in bark (part a), bound with roots (part b) and containing two stones (parts c-d). The bundle is roughly rectangular.

Subtly shaped blue human face mask tha has hair, with the ends wrapped in tape, inserted into seventeen drilled holes in the upper rim. Painted bent black brows above hollow cut out almond shaped eyes. Orbital ridge melds with diagonal cheek ridges. Red-brown band around each hollow oval shaped nostril. Black moustache above continuous red-brown lip band while the lower lip protrudes. Triangular black goatee below lower lip. Reverse painted red-brown; two metal 'eyes' screwed in at eye level. Cord passed through eyes and tied. Signed on the back side rim 'J. David 82'.

Wooden, carved bird mask with a very long straight beak. Beak has rounded end and movable lower mandible. Shredded cedar bark at top of head has five feathers, three brown and two white, and down. Twisted cedar bark nailed along upper rim, sides and lower, unraveled ends on either side of elongated rounded protuberance at base of beak; long bent brow above orange eye area which is curved and pointed at base of beak, pointed eyelid lines have red optic liners, circular pupil; u forms on temples; conical protruding nostrils have circular ends and u forms along length; black beak has series of u forms above and below red lip band; lower mandible is slightly longer than upper beak. Frontal bird face at base of lower mandible with black and white circular pupils in orange eye areas, black broad nostril nose with circle at centre for tip of beak, white band around red continuous lip band, bared teeth. Lower mandible attached to base of head by leather hinges that have been glued and stapled into place; operated by cord tied and passed through 2 metal 'eyes' on interior of beak, looped around a wooden ball and attached to the centre of a short stick; nylon line looped and tied through two holes at base of head. Signed 'Hok Hok Beau Dick 80.'

Winalagalis hand puppet. Articulated male figure is somewhat skeletal, with leather joints at neck, hip, elbows, wrists and ankles; humanoid skulls at knee joints; pegged shoulder joints. Head: long strands of hair are inserted into holes drilled at top and back; green face has black brows, white brow line; slightly depressed eye area has white circular hole pupils in red; sharply curved nose has rounded red nostrils; white moustache-like area on red rounded upper lip, moveable lower jaw, quill teeth; circular red and black ears. Body: green ovoid with white crescent at pectorals, exposed ribs, red navel; hips are attached to rib cage with thread loops; penis on wooden extension is screwed to back of rib cage; scrotum on separate cords; rolled leather at top of each leg is inserted into hips; long wide feet have 2 sets of parallel lines indicating bones, green toenails; long arms, hands with green fingernails hang to knee level. Single strand of red beads around neck. The puppet's genitalia manipulates body movements through the use of cord and wire.