Moulded terra cotta oil lamp, with round disc-shaped body and small filling hole set in a concave recess. A nozzle extends from the body. The top is incised with short rows of herringbone design and there is a design resembling an animal's hind leg opposite the nozzle. There is a seam sealed around the outer edge of the lamp. On the bottom of the base is an incised circle with an inscription in the centre.

Roughly conical hand-built ceramic case (part a) with a rectangular hole cut out near the base. A well fitting cover (part b) for the opening has holes in the corners matching holes on the vessel. The orange ware vessel has many small scale geometric designs of hooks and frets in lengthwise rows which are painted in black on a neutral slip base. One third of the surface, opposite to opening has no design. Nipple-like projections on base and tip of cone.

A hand built, oxidation fired ceramic with two tapering spouts connected by an arched strap handle; flat bottomed vessel with abrupt shoulder where rounded bowl shapes of upper and lower sections meet. Profile bird with curving beak and talons repeated twice on upper body. Geometric designs of concentric circles, crosses, angular hooks and 's' shapes fill background. Slip decoration in red/brown, orange, off-white and outlined in dark brown. Raised circular addition directly under handle.

Vessel is made up of two barrel-like shapes, surmounted by a stirrup spout. Outer surfaces covered with a red-orange slip with traces of black painting on stirrup spout and on upper half of vessel body. Black designs on the 'barrels' are hatched and spiky, circular shapes. Each 'barrel' end has a large, recessed circle. Tall, slightly flaring spout. A well made ceramic with limited surface pocking.

Red clay sherd of a hollow foot, white slip paint with incised toenails, protruding heel and cylindrical shaped ankle.

Clay sherd consisting of handle; red clay that has been white slipped. Flat, smooth underside or interior.

Approximately two-thirds of a shallow red clay bowl with a white slip. Salt residue marks the entire sherd.

Approximately half of a shallow red clay bowl; base is complete and has a ring of raised circles around the inside creating a flower-like design. Interior of bowl has a white slip that runs over the brim and around the edge of the bottom side.

A fully modelled ceramic bull of light orange clay, crudely painted white with details in brown paint and green slip. Details of harness and saddle are flat while flowers, tail, tongue etc., are modelled additions. The bull is hollow with a small strap handle in front of the vessel mouth on the animal's back. The loops of fat at the front of the neck, which are part of the ritual cutting and featured prominently.

Circular red-brown bowl on a high flared foot or pedestal--outside of the bowl and foot is painted with black lines and triangles.