A ceramic bowl that has a form which swells gently from a shallow unglazed foot to an everted lip. White porcelaneous body. Interior is decorated in white slip with lotus panels, each containing a motif, obscured by the translucent pale blue-grey glaze which pools heavily over them. Pools in bottom centre have some grit incorporated. Exterior is plain under the glaze. Close to foot is an adhesion of unglazed clay.

Jar with light green-brown glaze, mouth with slightly upturned lip, slightly sloping shoulders, two small lugs (handles) opposite each other at the mouth, and a base that flares outwards. Squat form, short neck, small mouth, two small lugs. Main portion of vessel is slipped in light yellow-white, which is visible at the base, and then coated in a thin light grey-green glaze, which is transparent at the mouth rim and on the lugs showing the medium grey body.

Stoneware bowl (chām; ชามl) with slip and painted decoration under the glaze. The sides curve up from the foot, flaring sharply to an everted lip; foot and base unglazed; body, coarse medium grey stoneware. Exterior: broad band of painted white slip, stamped with two rows of small sunburst motifs in blue, enclosed top and bottom with two broad bands of plain white slip. Interior: one broad band of plain white slip, surrounded by a band stamped with one row of stylized sunburst motifs, encloses plain centre at bottom; walls are the same as the exterior, except for triple bands of plain slip below the lip. The bottom surface of the interior exposes grey body between slipped bands.

An octagonal ceramic jar with a flat base, shoulders that slope sharply to short collar and a wide mouth. Heavy porcelaneous body is slipped in white. Painted in dark brown on one facet with five characters, below which is an oval cartouche, and from these, there is a peony spray of dark brown leaves with lighter brown flowers, spreading horizontally over two adjoining panels. Both cartouche outline and flower petals are emphasized with incising through to the under lying slip. All beneath an over all heavy transparent glaze. An even network of crackling shows extensive light purple and brown staining.

Red-brown terra cotta human head figure. Face has full cheeks, incised and shaped features, high forehead with raised additions at top and ears. Red slip applied.

Broken red-brown clay animal head figure. Cone-shaped pot leg. Face at bottom has protruding snout, incised features and lines around face. Red slip applied.

Brown clay seated figure with hollow back. Formed facial features, open mouth, decorations around neck and chest and protruding belly. Hands resting on rounded belly. Sitting with knees bent. Some red slip remains.

Red-brown whistle with white slip. Hollow, rounded form with projecting mouthpiece and flat bottom. Two small holes in form, hole at mouthpiece, and round hole cut at bottom. Some modeling and incising at back. Whistle in the shape of an animal head, possibly a wild pig?

Pot, made of light red brown, fine-grained clay with small white limestone particles and a small amount of very fine mica. Thick light grey slip covers pot and lid. Low ring foot, globular body with sharp carination dividing a rounded from a flat wall just below rim. Plain upright rim with convex outer face. Ledge on interior for lid. Two round horizontal handles are pressed against wall and rim providing a finger hold. Flat lid with small knob handle.

Ceramic bottle made of light orange, fine-grained clay with a few scattered particles of white limestone and a large quantity of very fine silver mica. Hard-fired. Dark red-brown, mottled to grey-black slip, thin and matt. Flat, slightly raised base, oval shaped body, plain everted rim. Short, upward-pointing spout placed on shoulder. Graceful vertical strap handle, oval in cross-section, attached to rim and shoulder; rises well above the rim.