Carved wooden yipwon (hook figure). Flat, rectangular wood piece with a slight curve at the bottom and a taper to a rounded end. The front has three dimensional carving, starting at the top: two hooks facing each other, elongated human face with shell inlay eyes, three carved projections, one hook facing up. The base of the hook is carved in relief with a stylized geometric design. In the cuts is a white pigment.

Tumbuan body mask/costume. A tall conical fibre, woven mask with two faces. At the top is a bird-like face crowned with cuscus fur and cassowary feathers; it has a long, protruding beak with a large feathered tassel at the end. At the centre of the body is a black human head made of clay with inlaid shell eyes and decoration; the top has human hair and feathers. Above are open eyeholes for the wearer, on the sides are armholes. The mask is of woven rattan over a bamboo frame, painted with red and white stripes and other detailing.

Carved wooden basket hook consisting of a female figure with a long oval shaped face and a conical shape headdress that has a bird carved on the tip. The face has incised, tattoo-like detailing on the cheeks, a long nose, inlayed shell eyes and an open mouth exposing the teeth. The arms hang down to the knees which are slightly bent. The body is rounded; the genital area is exposed. The crescent shaped base has a stylized incised band designs that are incorporated into a central face that has inlaid shell eyes. Along the sides of the body is a rounded, triangular repeating design. The reverse is carved and decorated with various stylized designs. The wood is stained black.

Carved wooden yipwon (hook figure). Downward pointed hook shaped in the form of a human figure (part a). The figure is wearing a triangular shaped, flat headdress. The eyes are inlayed with cowrie shells, the nose projects slightly with a hollow septum, the mouth is small and incised while the chin is long and pointed. The body of the figure consists of opposed hooks encircling a central protrusion and two upward facing hooks appearing like human ribs. The frame hooks or back of the figure curves in slightly then ends with one human leg with a small foot and carved toes. The hook is stained black. Covering part of the figure’s head is a cassowary feather wig (part b) with skin that has been has been pierced in two places and fibre strands tied through.

Necklace of wooden, oval, carved and inlaid beads decreasing in size to metal clasp; strung on nylon line. The three beads on either side next to clasp are carved, the rest are inlaid with circular multi-coloured glass (?) surrounded by black paint and lighter wood. Two black dots vertically placed between each circle. On both sides, two beads (the 12th and 13th from the clasp) are inlaid with two bands of twisted metal wire at each end. The centre three largest beads are also inlaid with wire bands as well as white and green beads and round pieces of shell. These circles alternate with painted black diamonds inlaid with metal crosses and a metal dot in each quarter of the cross. They are also inlaid with white glass beads.

Large bowl with short, curved handle; the inside of the bowl is incised with design of a sea creature resembling a dogfish. The handle is carved as a bird, inlaid in four places with abalone. 'a9ka' and 'al' are incised into the lower part of the bowl

Fourteen pointed teeth; deeply incised design on one side shows a hawk with the hind quarters of a frog below; on the other a human face with prominent ears, a wolf or bear cub below. Inlaid on both sides with small pieces of abalone.

Roughly circular in shape with small human head projecting from top above a face with wide mouth and rectangular teeth; downturned tip of nose attached to chin. Eyes inlaid with metal discs. Flat rim projects around circumference of mask and is inlaid with abalone pieces in various shapes, primarily rectangular. Two holes bored in rim below chin and two above forehead.

Round metal button with surface designs in high relief: barefooted man with cap is dressed in robe and draped pants. He walks with a fan in left hand. Pole in right hand is supported on shoulder; from top end, two items hang: disc of reddish-coloured copper inlay with engraved bird in centre, and triangular shapes in gold inlay. Bow of robe under chin, fan, and pole all in gold inlay. Area surrounding figure has blackened finish with remainder of button a silvery colour. Reddish-coloured reverse side with slightly elevated rim has angular cut copper loop attached. Two areas of green oxidation.

Round metal button with surface designs in high relief: monkey-like human figure in copper inlay has bushy eyebrows and chin and wears cloth covering (in gold inlay) below large stomach. Stands on muscled legs while carrying on back, human. Latter dressed in long patterned robe; holds on by hands below other's chin while face looks back. Human's face, cloth head covering, belt, foot, and hands in gold inlay. Engraving on ground shows water, tree trunk, and limbs. Possible artist's signature engraved on left. Remaining area has blackened finish. Reddish-coloured reverse side with slightly elevated rim has angular cut copper loop attached.