Curved silver spoon with an oval bowl and a tapering handle with a profile bird-head finial. Features of bird-head extend out from the handle with the crest and brow band on one side and a jaw line below. Iris and brow band are slightly raised. Engraving includes details on bird's head, including a split u on the crest, an ovoid eye, and mouth and lines indicating the nostril and feathers. Angled ovoid in ovoid on the neck (handle shaft) u-shapes, split u's, and s-curves to large angled ovoid where handle widens to the spoon of the bowl. Wing and tail-like appendages on either side of the ovoid. 'Ketchikan' is engraved in a curve in the spoon bowl.

Sheathed knife, oval in cross-section, with a wooden handle and sheath. Knife (a) blade is straight then tapers to a point with a ridge down its centre. The handle sides curve with carved bands of diamonds on one side and then taper to a small neck where it is tied with fibre before its fluted end. Sheath (b) is two pieces of wood lashed together with fine coated fibre at neck before fluted end. Wedge shaped projection at other end has a hole through from side to side. Zigzag carved line in central band. Two-tone wood.

Upper surface of hair ornament has two bands of geometric designs along edges and come together at a point on both ends. There is a central lengthwise ridge. Flat in the middle and upward wave on both sides. Signed in calligraphy at middle of back.

Large metal needle with a lenticular eye at one end and a flattened point at the other end. A cross section of the shaft is roughly circular. The shaft has a number of bumps and bows. The surface is only roughly finished with scrapes and dents visible to the naked eye. The surface is powdered with rust. The top end of the needle eye has broken through and is now pinched closed.

Long metal needle with a lenticular eye at one end and a flattened point at the other end. A cross section of the shaft is roughly circular. The shaft has a number of bumps and bows. The surface is only roughly finished with scrapes and dents visible to the naked eye. The surface is powdered with rust.

Green painted, boat-shaped, wooden shuttle with solid end points and hollowed out central area. Notches at the ends of the hollowed out area support a metal rod which holds the wooden bobbin on which white yarn is wound. The yarn is fed to the outside of the shuttle through a single slot positioned in the centre of one side. The shuttle is crudely carved and the green paint is worn off in some sections. One chip along the upper edge.

Pair of metal, spoon-shaped pins with pointed shafts. The metal has a yellowish cast; bowl of both spoons has a simple repousse design of three arched lines repeated in reflective symmetry. The throat of the pin is decorated with reverse curve strips of metal soldered to each side. Twine joins the pins together and is attached through one loop of the reverse curve.

Functional curving spout is surmounted by a parrot as is the spiral-coiled, elaborate handle. Ewer sits on high splayed foot. The body, shoulder, and neck are hammered and incised with geometric designs placed in bands. Lid is a three-tiered dome with solid silver ball on which sits a parrot. The lid screws into the mouth of the ewer.

Bronze representation of a Northwest Coast human face mask, attached at a 45 degree angle to a black with white speckled stone base by two bronze screws located on either side of chin; screws fit into holes drilled into base; hammered finish; uneven dark patination. Face is finely defined except eyes, brows clearly delineated, convex eyes, flat nose with defined nostrils; prominent mouth with continuous lip band. On reverse, signed J. David.

Heart-shaped brooch with central cutout and crown shape above. Four circular cutouts and five groups of engraved dots. Cross-pin secured around heart in cutout slot.