Hollowed gourd bowl covered on exterior with beeswax and inlaid with glass beads in a design consisting of white deer with cross above centre of body, red and black undulating line at centre of body, outlined in black. Two red and yellow figures both with arms outstretched, one is seated on a white and black chair the other is standing. Two u-shaped bases have double crosses above with blue ground, and yellow rim. Black divided circle on base has green and white triangular shaped wedges. Bowl contains three sticks inserted into beeswax. Two sticks are painted in blue and red bands, notched at upper end. Centre stick wrapped in red, blue, and pink yarn. Diminutive representations attached to each stick with braided or wrapped yarn, stick on left has a guitar, two bows, god's eye, paper sandal. Centre stick has drum, bow, arrow, shield, and feathers. Stick on right has violin, bow, god's eye and a paper sandal.

Bag with a cross-stitch design composed of two rows of paired opposing s curves on a red ground, with a set of yellow s curves at the top and a set of blue at the bottom. There is a black cross-stitch border at the mouth and the strap is formed from a single strand of orange beads which has been folded and looped through a braided and knotted extension at the upper corner on the right, then passed through a twisted and knotted extension at the upper corner on the left. There are another two twisted extensions in the middle at the mouth. Two pompoms on a twisted cord extend from each lower corner and four beaded floral squares with rectangular extensions are attached to the bottom of the bag between the pompoms. Five similarly shaped beaded attachments are attached to the front of the body and there are three more on the strap. The sides of the bag are finished in a green cross-knit loop stitch.

Short blouse with long set in sleeves with folds at cuffs; folded and stitched circular neck opening with front slit; cross-stitch designs at cuffs, shoulders and hem. Cuffs have undulating pink edging with squares on green ground. Shoulder seams and the bottom edge are detailed with a band of eight petal pink flowers in green octagons on an orange ground. Next to the bands are birds in profile with their heads turned backwards over bodies, there are two v-like extensions above each head, octagonal body with central flower, wings extended to sides, fan-like tail between legs.

Deeply carved humanoid mask has black stained cedar bark strips folded, wrapped and tied to u-shaped ear projections and to upper edge of brow ridge; beneath cedar bark, between ear projections, red scallop-like design; ears have a series of rounded forms with a triangular form at base; large arched brows; deeply inset blue eye areas with black and white circular hollow eyes; hooked nose has curled tip resting on upper lip; rounded flaring hollow nostrils; deeply inset blue area around open mouth with protruding red lip bands; curvilinear t shaped design on cheeks; black and red coil at side rims meld with black chin. On reverse, thin wire is wrapped around a screw at each side rim and a nail at centre top to form a hanging device; red and black paint around eyes, nose and mouth; signed at side on right 'cockle hunter (Bookwus)' Glenn Tallio Nuxhalk Nation Bella Coola B.C.'87.

Northwest Coast style humanoid face mask, painted white. Wide flat forehead has five stitches in a vertical row at right of centre; beaten copper brows are nailed above bulging circular hollow copper eyes, slightly indented at base, in black pointed ridged eyelid lines; straight nose has indented semi-circular red nostrils; open mouth has protruding red lip bands; two stitches in a diagonal line between nose and upper lip; black bands with three rows of dots extend from lower corners of eyes, curve on cheek to terminate at side rim; nails in some holes along upper rim. On reverse, cord is looped and knotted through a hole in each side rim, second piece of cord is looped and knotted through a hole in centre upper rim and around the first cord. Piece of folded cloth nailed above eyes; two nails at left of nose. Stitches and nails are to repair crack; paint flaking; copper on eye and brow on left have green areas.

Bee mask. Slightly rounded white forehead has a black and yellow horizontal curvilinear design, red ovoid at centre of yellow; raised thick curved black brows; thin yellow line joins orbital areas at dip between forehead and large protruding bulbous snout; yellow round hollow protruding eyes with black and white bands around pupil; snout has black triangular shape at top and bottom joined by a narrow band, black outline; cluster of five holes, top hole on right has remains of 'stinger'; white, yellow and red crescentic designs around circular white hollow nostrils; white temple; defining line for cheeks melds with orbital ridge; curvilinear black line on cheek; square-like white line defines black split U on either side of mouth area; white and yellow bands around small pointed protruding red lip band, painted design converges at lower lip point; yellow triangle on upturned chin is outlined in white. Cut cedar bark, tied with white cord, folded around a folded orange-pink cloth and nailed to upper rim; white cord and red cloth are twined into the cedar bark lengths; at side on right folded white cloth, stitched with yellow thread, is nailed at temples; brown cord twined into first 7cm. of bark. On reverse, one brown cord passes through two holes in upper rim, looped and knotted through hole at each temple; second cord is looped and knotted through chin.

Bee mask. Black split U covers most of slightly rounded white forehead, two white square-like forms in either side of U; across forehead, dark purple-red line, varying in thickness and shape, seven diagonal lines over brows; brows protrude at bridge of bulbous snout and taper flat at temples; thin line joins small yellow orbital areas at dip between forehead and snout; circular hollow protruding white eyes are outlined in black; snout has central black band outlined in white, black, white and red crescentic bands around yellow nostrils with red interiors; five evenly spaced drilled holes at centre of snout have remains of 'stingers'; defining cheek line melds with orbital ridge; white temple and cheeks; black line emphasizes contours of cheek, jaw line and upturned rounded triangular-like chin; dark purple-red sickle-like shape on cheeks; red lip band has yellow outline. Cut cedar bark, tied with white cord, and nailed to upper rim; cedar bark lengths are folded around an orange-pink folded cloth nailed to upper rim; white cord and red cloth are twined into cedar bark lengths; grey cloth nailed to back upper rim beneath cedar bark, two narrow strips of dark purple-red cloth are sewn with black thread at sides, edge at side on right is stiff. On reverse, two lengths of green cord, one passed through two holes in upper rim, looped and knotted at hole in each temple; second length is looped and knotted around first cord; white cord binds green cord from upper rim; light brown cord looped and knotted through hole in chin. Jagged check at upper edge of orbital area on right.

Eagle transformation mask that has three beak portions joined by wedge-shaped pieces of wood fastened together by cloth and string; beak portions are pegged and hinged to an exterior wooden mount behind the interior human face mask; wood and string lever at base operates mask. Exterior closed: top of mask has three wedged shaped pieces painted white with black spots, down feathers glued to surface. Both upper beak portions identical with wedged shaped pieces above eye painted white with a solid black curvilinear design; black brows outlined in white; green face, white above beak and at jaw line; red optic liner, black and white eye; below black beak red nostril outlined in white; red lip band; wedge shaped pieces protruding from mouth are white with a solid black curvilinear design; underside of lower beak has two distinct painted parts; rear of beak, including wedge shaped pieces on either side, are painted white with black spots, down feathers glued to surface; upper portion of lower beak is black with a red lip band around three sides. Interior open: beaks painted black; red lip band visible on lower beak portion; beaks slightly concave, rim of upper beak portions graduate in depth; wedge shaped pieces form a circle around human face mask; dogfish design at the four cardinal points. Human face has hair inserted into drilled holes along top rim; white forehead has three green-grey u forms outlined in red, thin black line defines centre split u; black brows; green eye area and nose; eyes are white bored circles with red eye sockets; red nostrils; white cheeks have four solid green-grey u forms on either side of mouth; black moustache-like line extends from nostrils to corner of mouth; open red lipped mouth; white jaw area has four rows of short horizontal strips; black chin; black smudges on jaw and under lower lip.

Bee mask. Rounded forehead has split U forms, yellow with black splits at sides, partially covered by cedar bark, vertical series at centre has black and red- brown with white and a solid black U; curved thick black brows with ends curling towards side rims; white temples with black and red U forms; small orbital area, base of protruding circular hollow eyes and base of snout between eyes are yellow; black and white bands around top of eyes; bulbous protruding snout has black triangular design at top and bottom joined by a narrow band, cluster of five drilled holes, four with remains of 'stingers'; white, yellow and red crescentic bands around hollow circular nostrils; defining line on cheek melds with orbital ridge; white cheeks have crescentic black line varying in thickness; series of twelve U forms along mouth ridge, white and yellow lines around red lip band, rounded upper lip and pointed lower lip; yellow triangular upturned chin. Cut cedar bark, tied with white cord and folded around a folded piece of orange-pink cloth that is nailed to the upper rim; brown cord is loosely twined into cedar bark 2/3 from top rim. On reverse, a single green cord is passed through two holes at upper rim, looped and knotted through a hole at each temple; white cord binds green cord at upper rim; hole in bottom centre of chin.

Folded paper in abstract approximation of human form wearing a kimono. Red lining to kimono; wood extends beyond bottom fold of kimono; silver and gold loops near top; one loop encloses a small cloth scroll which appears to have calligraphy; other loops in purple.