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The paint is red.
The paint is red and black.
The paint is red, green, and black.
The paint is red and black.
The paint is red and black.
One of the unique technical achievements of Northwest Coast artisans was the bentwood box. Containers of many sizes were made by kerfing hand-made boards at carefully measured intervals and bending the boards at the steamed kerfs to form the continuous sides. The last corner joint and the bottom board were fastened by pegging or sewing. The plan of the box is nearly square, and two opposite sides are elaborately painted in red and black in the conventional style of box painting. (Holm, Crooked Beak of Heaven, 1972)
Dance belt. Consists of central wooden plaque (part a), slightly concave, and two separate flat pieces that sit on the right (part b) and on the left (part c). Central portion is frontal face with clenched teeth and bulging eyes. Sides pieces are carved with serpent-like heads with protruding tongues, seen in profile. Pieces may originally have been joined with cloth strips. Metal loops on the back of each panel for hanging.
Triple whistle made of three single whistle parts of equal length which are now rebound as two separate pieces (parts a-b). Part a consists of two parts bound together with cord; part b is the third matching part from the other side, which is now detached. The outer pieces are rectangular in cross section while the middle piece is square in cross section. All three pieces are bound with cord near their outer ends and middle. Upper portions of each whistle are painted blue, as is the binding at that end. The middle and left side pieces (part a) are bound together at their tapered ends with white cord. The right side piece (part b) shows past evidence (indented cord marks) of being bound at the end. While the wider end is solid on each piece, there are hollowed areas through each tapered end, through to the cut out rectangular holes.
Wooden feast dish (parts a-i) consisting of three large, deeply carved bowls (parts a-c), the whole forming a supernatural creature called a sisiutl. The bowls each sit of 2 sets of wheels that are loosely joined by mortise and tenon arrangements. The two end bowls (parts a and c) each depict the head and body of the serpent with a large protruding snout, carved eyes, ears and bared teeth. The middle bowl (part b) has a carved and painted human-like face on the sides, with two hands on the joins. Two large ladles (parts d-e) balance in the mouths of the sisuitl, projecting outward like tongues, held in by their handles. On top of the heads are four horn-like extensions (parts f-i), one at each end and two in the middle section. The bowl is painted with black, white, green, red and yellow design elements. There are holes in the overlapping slotted pieces for dowels (not incl. with dish).