Hide is stretched over wooden frame. Cradle is laced in front and decorated with beadwork (floral design) in brown, green, blue, mauve, yellow, white, black. Each side of cradle has a mirror-image beadwork pattern starting at the bottom with a white leaf outlined with brown, a dark blue leaf outlined with pink, an aqua-blue leaf outlined with orange, and a four-heart-shaped-petaled flower of white outlined with brown on a green stem. Hood of cradle has a beaded central white, pink, green, and dark blue flower with a white, blue, and orange leaf on either side. Top of cradle has a beaded white flower outlined with orange and having three green filaments surrounded by a curving pink and dark blue line with yellow leaves outlined by green on either side. Top rim of cradle coiled with white and black beads. Facial features of doll inked on. Adorned with beaded strings, metal bells, and beaded necklaces.

Woman’s backless blouse, made from several large, very elaborately embroidered, multi-coloured panels. The top portion of the blouse is embellished with circular motifs, large clusters of yellow, red and green glass beads and mirrorwork; a large rectangular portion is outlined with small white cowrie shells to form a bib effect. The neckline is high and squared; it fastens at the centre back with cloth ties made from printed cotton textile. Below the waist, an embroidered rectangular panel is divided into four squares, each embroidered with mirrors and geometric shapes; each square is outlined with small white cowrie shells. Over-all, many of the designs are outlined with a silver “braid” formed by tightly coiling a very narrow ribbon of metal into a long strip, which is attached to the surface with a couching stitch. The hem and sides, as well as the sleeve edges, are bordered with black embroidery, white rickrack and many small tassels made from yellow and green beads and black, yellow and orange pompoms. Back shoulder yokes, underarm gussets and narrow side panels are pieced from brightly coloured, machine-printed cotton textiles. The embroidery is underlined with red and multi-coloured printed cotton gauze. A pocket made from green striped cotton textile is attached on the inside at the lower right-hand side.

Small black wool vest with silver embroidery. The vest has a centre front opening with lower edges that curve upwards. There are dense swirling patterns made of silver metallic braid and thread that has been couched onto the surface of the ground fabric. Blue and green glass beads are incorporated into some of the patterns. All edges are bordered with flat silver braid. The centre opening and bottom edge have small spherical ornaments, made of wood or fibre and been wrapped with silver thread. The inner lining is black silky fabric.

Woman’s or child’s turquoise cotton backless blouse, embellished with designs worked in gold and silver metal wrapped thread. The blouse is made from a large, heavily embroidered panel that forms the entire front of the blouse. There is a vertical neck opening at the centre front, bound with black embroidery; this opening is embellished with three rows of closely spaced circular metallic gold motifs. At each shoulder is a gold inverted heart-shaped figure. Below the armholes, the designs form an apron effect; the design elements, which are scattered over the entire surface, include hearts, squares, geometric forms, tree and flower motifs. Dark red pompoms, circular mirrors and silver and red sequins are placed within the motifs. The sleeve edges are trimmed with beads, sequins and beaded tassels. The bottom and sides are bordered with diamond-shaped motifs, sequins and gold metallic crocheted edging. On the back, separate, small shoulder yokes made from panels of multicoloured, machine-printed cotton broadcloth are sewn at the shoulders and at the underarms, forming close-fitting, abbreviated sleeves. The blouse fastens at the centre back neckline with green twisted fibre ties. There is also a green fibre tie located halfway down the left edge of the blouse and a fibre loop located at a corresponding place on the right-hand side. The embroidery is underlined with red printed cotton gauze.

Man’s long, narrow, rectangular scarf or sash, heavily embroidered with multicoloured geometric and floral motifs and many mirrors. Arranged along the length of the scarf are sixteen square and rectangular blocks of embroidered designs, consisting of a variety of motifs, many different kinds of stitches and two styles of embroidery (kharek and pakka). The embroidery is so dense that it completely covers the background textile. The blocks of embroidery are separated by black “braid” formed from bundles of black cotton thread which is laid and couched with red thread. There is a border of silver and gold mirrors along all four edges, and the ends are embellished with green and pink beadwork and small red-orange silk tassels. A binding of dark green cotton muslin is machine-stitched along the outside edges. The underlining is pieced from plain and printed cotton and rayon(?) textile in various shades of red.

Small, flat, square, embroidered envelope-style bag, detailed with mirrors and pompoms, made by folding and stitching together three corners of a flat, square panel to form a pocket, with the fourth corner left open to serve as a flap or cover. The square-shaped embroidered motifs, formed from bars of satin stitch outlined in black, are grouped together into larger squares that are arranged in a grid, separated with narrow bands of alternating mirror-work and floral designs that form an X on the back of the bag. The square is bordered with mirror-work, alternating with floral designs. The embroidery is so dense that it completely covers the background textile. There are glass beads sewn onto the seams, which are worked in fine interlacing stitch. Small pompoms and glass beads are stitched to the lower corners. At the intersection of the three corners is a small white button, embellished with small coloured glass beads. The embroidery is underlined with red cotton textile that is printed with multicoloured designs.

Close-fitting, shoulder-length child’s hood made of red cotton textile which is heavily embroidered with medallions, geometric designs, mirrorwork and linear border motifs, worked in green, yellow, off-white, blue and black cotton and silk thread. A rectangular panel of embroidered cotton textile hangs loosely to the shoulders at the sides and back. Mirrors, alternating with blocks of interlacing stitch, form a border around the edges of this panel; a square multicoloured medallion and two multicoloured circular medallions are embroidered at the centre back. The crown is embroidered with floral motifs worked in silk floss, and there is a short fringe of green, white and blue glass beads at the forehead. Two short strands of twisted fibre are attached at the front edge, over the temples. The hood is lined with dark yellow and red cotton textile, and the edges of the hood are bound with dark yellow and green cotton bias tape.

Helmut-like hat, or cap, with a long flap in the back that covers the ears and back of the neck. It is made of a satin-weave fabric that is machine printed with multi-coloured designs of flowers, leaves and stems, and it is heavily ornamented with glass and plastic beads, metal zipper teeth, plastic buttons, cotton braid and silver-coloured ball chains. On the forehead are panels of curvilinear designs and borders of beading and metal applique. The crown consists of a circular panel of finely-worked silk embroidery on black cotton textile, topped with a beaded topknot and silver ornament. Completely lined with blue-gray cotton.

Round coiled cedar root basket (a) and lid (b). Base and walls have parallel slat construction, while lid has root splint foundation. Both basket and lid are decorated with imbrication in cherry bark and beading in white grass. The lid has a knob on it, which is beaded with red cherry bark.

Rectangular, ceremonial skirt, or apron. The main body of the piece is made of black cotton textile which is bordered at the top with a narrow multicoloured horizontal stripe. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. A horizontal row of closely-spaced cowrie shells is affixed to the apron just above this patterned textile and extends almost all the way across the width of the garment. Many long (38 cm) strands of dark red glass and metallic cylindrical beads, interspersed with white seeds, are attached below this row of shells and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of red wool, resembling a small tassel.