Ceremonial skirt, or apron. The main body of the piece is made of black cotton textile. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. Two horizontal, parallel rows of closely-spaced cowrie shells are affixed to the apron just above this patterned textile and extend almost all the way across the width of the garment. Many long strands of dark red glass and metallic cylindrical beads, interspersed with white seeds, are attached below this double row of shells and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of wool, resembling a small tassel.

Rectangular, ceremonial skirt, or apron. The main body of the piece is made of black cotton textile which is bordered on the right-hand side with a narrow multicoloured, patterned vertical stripe. Several small ‘rosettes’ made of cowrie shells are scattered across the width of the main body of the apron. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. A horizontal row of closely-spaced cowrie shells is affixed to the apron just above this patterned textile and extends almost all the way across the width of the garment, and below it is a parallel row of Jacob’s tears seeds. Many long strands of dark red and blue glass beads and metallic cylindrical beads, interspersed with Jacob’s tears seeds, are attached below these rows of shells and seeds and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of wool, resembling a small tassel.

Rectangular, ceremonial skirt, or apron. The main body of the piece is made of black cotton textile which is bordered at the top with a narrow, brown and gray horizontal stripe. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. A horizontal row of closely-spaced small clam shells is affixed to the apron just above this patterned textile and extends almost all the way across the width of the garment. Many long strands of dark red glass and metallic cylindrical beads, interspersed with white seeds, are attached below this row of shells and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of wool, resembling a small tassel.

Woman's sleeveless, heavily ornamented vest, constructed from wide panels of red-orange jacquard ribbon and panels of black satin. The ribbon is pleated to conform to the curves of the armhole and around the inverted heart shaped neckline. Appliqued with several kinds of decorative silver, yellow, green and off-white braid; beaded with clear glass beads and coloured sequins; floral designs embroidered on back. Centre front opening has five silver filigree buttons. Lined with blue and white checked cotton. Embroidered floral medallions on inside back lining. All hand sewn.

Man’s wedding shawl. Made of red and black block-printed cotton textile, heavily embroidered on all four corners with multi-coloured floral designs, abstract representations of peacocks, geometric patterns, mirrors, rickrack and beaded tassels. The designs on the four corners are worked in silk thread and are almost identical to each other, differing only in minor details and colours. Embroidered yellow stripes extend vertically and horizontally across the shawl and intersect at the centre with an embroidered diamond shaped medallion. The block printed designs on the textile form striped borders at each edge, and there is a central rectangle which contains stylized floral patterns arranged in diamond-shaped frames. The block-printed textile is pieced along one long edge (machine stitched) prior to embroidering. The back has a strip of black cotton fabric hand-sewn to each end.

Bonnet made of off-white jacquard-weave rayon, with a wide band of multi-coloured embroidered ribbon at front, extending from ear to ear. The front of the hat is decorated with a band of multicoloured floral patterned fabric and is beaded with clear glass, silver, gold and coloured glass beads and sequins. There is also a beaded medallion at the back of the crown. The front edge of the hat is trimmed with lace and two straps made of pink and blue striped moire ribbon ar attached at the sides. The lower back edge is gathered in with a drawstring. Lined with off-white cotton.

Plains style headdress with black felt skullcap and bright blue headband. Downy yellow-green feathers glued onto bottoms of large light white bonnet feathers with dark brown tips, and having downy white feathers in the middle wrapped in red yarn at the bottom. Feathers attached to band with a shoelace. Front of bonnet beaded with three yellow centred triangles outlined with red, dark blue, orange, brown, and light blue on a white background. Two beaded circles are at either ends of the front beaded band. The beaded circles consist of a design of four arrows pointing toward the klight blue bead centre, starting from the top and going clock-wise: red, black, red, and black, on a white background and interconnected with a light blue circular line. Four rabbit fur strips, two dangling from each side.

Pair of rectangular armbands with beadwork. Leather has white, green, yellow, red, turquoise, and navy beads (also along edge). Hide thongs for ties attached together by a thong covered with brass beads. One has small bag attached.

Diamond-shaped, decorative hood for a horse, densely embellished with embroidery that the black cotton background textile is all but obscured. The embroidered design is laid out on a grid of squares, with alternating mirrors and floral motifs in the cells of the grid; pompoms and glass beads are scattered through the design field. Two large, circular openings near the top of the piece are bordered with rows of mirrors alternating with circular embroidered motifs. There is a similar border of mirrors and circular motifs around all four edges of the piece. Fragments of fibre tie cords are attached to the top corner and at the sides, near the circular openings. There are remnants of a fringe of clear glass beads on all four edges. The piece is lined with red, white and black machine printed cotton textile, which has come loose in many places. Overall colour is maroon, lilac, black and gold.

Small, square, embroidered textile, made of red cotton broadcloth, decorated with large, circular motifs and border designs. There are four large, circular geometric motifs arranged in a four-cell grid at the centre of the piece. Each of these motifs has eight “arms” in red, dark purple, mauve, green and orange, outlined in yellow. The cells of the grid are delineated with narrow, flat silver metallic braid with four small white buttons sewn where the grid lines meet the border. A meandering, multicoloured line forms a border around the central designs. The embroidery is worked in chain stitch. Flat silver braid is couched around all four edges, surrounded by two rows of red and blue glass beads. One yellow bead is sewn to one edge. The piece is lined with red and white paisley-printed cotton textile, pieced at one corner with black cotton textile.