Seated male lion figure holds small female figure to side on right. Upper arms hold conch and discus. Elaborate jewelry and costumes for both figures is denoted by incision. Figure rests on a round pedestal set on a square base.

Betel nut cutter depicting a bejewelled amorous couple, or mithuna. The male figure is holding a small, elaborately dressed and adorned female with his right arm. The female is offering the male a betel in her upturned palm. The male figure's legs form the cutter handles, and there is a blade on the right side of his body. The hinge is at the male figure's right shoulder. The male figure is decorated front and back, and the female figure is roughly finished on the back.

Cylindrical with extended lip. Stylized lotus pattern band around base and around top under lip overhang. Center band: panels of geometric designs alternating with inlaid copper panels, with narrow copper bands above and below. Light brown residue inside, and on rim, traces of green patina.

Rectangular, four-legged hinged-lid box. Lid is perforated to form a basket-like pattern; a stylized peacock sits on each corner; decorative knob in lid center. Plain box bottom except for narrow strip of fine incising. Two openings in back of box, one closed.

Ornament consisting of two pendants hanging by wire coils from a single ring with a metal loop at the top. The pendants are both shaped with a point at the top, sides that curve outwards and then back in to an elongated tip. One pendant has a vaguely spoon-shaped tip, the other is slightly pointed. Two convex leaf-like shapes hang from either side of the top part of each pendant on chains. Each pendant has a floral pattern inlaid with blue, green and red beads.

Buddha seated cross-legged on lotus base. Hand on right rests, palm upwards on lap. Hand on left rests on knee. Hair done showing ushnisha. Robe draped from shoulder at right; other shoulder bare. Rough casting.

Buddha seated cross-legged with hands in lap, palms upward, on a three tiered platform. Figure and platform are elaborate in design. Pointed leaf-like projections from knees and shoulders. Similar projections from pointed topknot (tip of topknot chipped) run from behind the ear to the shoulder. Diamond ornament on chest.

Seated image of the Buddha in the bhumisparsa mudra. Flame-like top knot; clay core.

Hand with upward bent wrist forming a right angle. A delicate floral motif ring on each finger and the thumb, similar motif in palm. Elaborate wrist band of four rows of repeated pattern. Fifth row has diamond shaped ornaments. Secured by screws to a wooden mount.

Female standing on a lotus base. Head circled by a nimbus of flames. Lotus on shoulder at right is grasped in that hand, which rests on her gracefully swaying hip. Arm on the left bent at elbow, palm out, index finger to thumb. Some signs of wear from worship. Sealed; chiseled vajra design on base plate.