Vertical lines of profiled animal and human faces facing to the left side. Profiles are overlapping and are in various combinations. From left to right, the profiles are the following colours: green, pink, purple, pink, grey, green, pink, blue, and green. From left to right, the profile decrease in size. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'All Different Thoughts 42/50 1978 Avalakiak M. Noah'. In the lower right corner, there is a circular embossing. The print is on a horizontally rectangular, light white-beige paper piece.

A mounted print of four creatures with tails. The top creature has a striped tail and fins, a zigzag patterned body, and a striped animal-like head with an open mouth and horns. Next, there is a creature with a striped body, fins, tails, and a bird-like head with an open beak. Then, there is a creature with a striped tail and fins with a zigzag patterned body, and a striped bird-like head with an open beak. Finally, there is a creature with a long striped body and fins with tails, and an animal-like head with an open mouth and horns. Pencil inscription across the bottom edge reads '49/50 1963'. Stamped with names of artist and printmaker in Inuit syllabics in monogram form. Canadian Eskimo Arts Council stamp of approval and Cape Dorset stamp blind embossed in the lower right corner. On reverse 'DNA 59 49/50 Sea beast Johniebo'. The print is on a horizontally rectangular, white paper piece.

Two side by side frontal images of a black and white human head peeking out of sleeping skins that are yellow-brown with red-brown trim, a dake green under covering and a yellow undercovering. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Sleeping in Skins A/P III/V 1970 Eeyeetowa Makpa, Martha Noah'. The print is on horizontally rectangular white paper.

Print depicting two bird figures wearing parkas in a boat with a hull that has several white ovoid shapes separated by dark grey areas and a sail with horizontal lines. One bird figure is at the rudder, and the other is at the bow holding a spear with one arm extended. Below the image is written, "48/50" with the title and artist's name in Inuit syllabics and "1963." Written on the reverse is. "48/50 Sealskin Boat Kananginak." The Canadian Eskimo Arts Council blind embossed stamp is in the bottom right-hand corner.

Print depicting several creatures, many of which have several heads per body, all depicted as black silhouettes except for one dark brown creature. The creatures are piled one on top of the other and are reaching for a yellow circular moon near the top of the image. Below the image is written, "Spirits reaching for moon Sonte cut 47/50 Cape Dorset 1961 Angotigaluk." The artist's and printmaker's names are printed in Inuit syllabics in monogram form along with the Cape Dorset stylized igloo seal at the bottom right-hand corner of the image.

A hanging scroll painting of a rural scene with high mountains in the far distance, and houses, and hills in the background. In the middle ground, there are more houses, trees, and a granary with workers grinding grain and stacking it on an ox. A river is flowing under the granary into the foreground. The painting has a cream-coloured border of patterned fabric with blue-grey patterned fabric at the top and at the bottom. There is a semi-cylindrical rod at the top with a brown string attached by metal wire. There is a cylindrical rod weight at the bottom covered with a multi-toned blue patterned fabric.

Detachable metal harpoon head that has a hollow shank. The point has two barbs, one on either sides, pointing outward and downward. The stem flares outward and downward with a flaring triangular protrusion at the bottom on one side.

A pair of plain metal hooks, each with an inward barb. One hook (part a) loops at the end while the other hook (part b) has a hole pierced at the end.

Short, rounded vase-like vessel with a raised lip Top portion of vessel is glazed in green and brown; lower portion is dark black-brown.

Small, bottle-shaped, brown-grey vase with a long neck and flaring rim; incised linear bands ring the shoulders.