From card: "One of the two painted ones, carved, one side only. Refer to: 231038 [card] for collecting data."

From card: "Two concave sheets of copper, circular soldered at their edges, having projecting handle carved on both surfaces. An early historical reference to 'copper' rattles is recorded in 'Voyages of the Columbia', F. W. Howay, 1787-93, (Boit's log) pg. 386. The area is Clayquot Sound, W. Vancouver Id., B. Col."See also accession file for Accession 41221, which contains information about objects from several Emmons accessions. It appears to contain information about copper rattle # E221180. It may be the rattle referred to on a list in that file as "Copper rattle, [presumably purchased in] Victoria, British Columbia (bird carved.)"Ruth Demmert, Alan Zuboff, and Linda Wynne made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. The use of copper in an object like this is unusual for Tlingits. This object has the same design on both sides, and may be a bear, but the presence of wings suggests a bird, particularly an owl. A bird or owl design would suggest Yakutat origins.

From card: "Twined weaving; totemic whale painted on the body. Raven head carved from wood and painted, afixed to top of hat." For small illustration (hat only, not the raven head carving) see Hat 107, p. 221 in Glinsmann, Dawn. 2006. Northern Northwest Coast spruce root hats. Thesis (Ph. D.)--University of Washington, 2006. Glinsmann identifies the hat as of Haida manufacture.Accession record 41512 calls this "Chilkat straw [sic] hat and raven's head", and also, more correctly, identifies it as a painted spruce root hat. See also accession file for Accession 41221, which contains information about objects from several Emmons accessions. It appears to contain information about hat # E221177? It may be the hat referred to on a list at the end of that file as "Spruce root dance hat painted with wooden bird on top from Metlakatla, Annette Island [Alaska]."This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=296 , retrieved 12-30-2011: Crest hat This woven spruce-root crest hat is topped with the wooden head of Raven, yet the design painted on the crown is the Killer Whale, a crest belonging to the Eagle moiety. The combination of symbols from opposing moieties on a single hat is rare. It might represent trade with the Haida, where this combination is allowed, or mockery of an unpaid Raven debt to social opposites. Even more rarely a child may be given permission to use a crest of his grandfather's clan, always of the opposite moiety, creating a mix of designs.Listed on page 41 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes".From 2008 Anthropology Conservation Lab treatment report by Landis Smith: The hat is twined, left to right from the center of the top of the hat, and finished with a braided edge. The top of the hat and sides are woven in a plain twine; the wide brim is woven in a chevron design using a weft over double warp, alternating with weft over single warp. An interior head band was woven into the structure of the hat. This headband was trimmed along the bottom edge with a striped cotton cloth. There is another piece of multi-colored cloth sewn into the striped headband trim, and covers the top of the hat where the crown of a person's head would go. Red tradecloth (heavy flannel) ties are sewn to the interior head band to be tied under the chin. The neck and head of a raven is carved from what appears to be red cedar. The base of the neck is slightly convex to fit on top of the hat. There are pairs of holes visible on each side of the exterior of the base of the neck; these connect to two pairs of holes seen on the base of the carving. Lashings were drawn through these holes to secure the carving to the stop of the hat. The raven is open-beaked with a pronounced tongue, large black eyes and squared off ears: The raven head and neck are painted black with red flecking. The interior of the beak, tongue, nostrils and interiors of the ears are painted red. The eyes are black with white paint around them. There is a band of green across the base of the beak and around the eyes; this area is slightly recessed. There is a white, filled-in U shape on each cheek.

From card: "Large double mask of wood ornamented with the fur of the black bear--from Kingcomb Inlet, the coast of British Columbia--the Kwakiutl people. It was known as "Zuno" and is suposed to represent a double dealing man who gave most liberally at feasts but was not to be trusted. It was last used at a feast given at Fort Rupert about 1899. Exhibit Hall 9, 1987. Identified in exhibit label as a double faced Dzoonokwa, Kwakiutl, collected at Kingcomb Inlet, British Columbia, about 1900."Emmons describes this mask as being for sale in a letter filed filed in accession 39904, letter dated May 28, 1902 and sent from Victoria, B.C.. He lists it as being from Fort Rupert (presumably because that is where it was last used.)

From card: "Though the accession papers give no clue as to which village these came from, Mr. H.W. Krieger had indicated they were from Sitka. (basis for information unknown.) In Acc. 41,185 in a letter dated 12/7/1903 Dr. Dorsey, who collected these items, says that he knows of no other similar ones which have ever been taken from Alaska, and that at that time there are not more than half a dozen left in the territory. Therefore rare. This is one of the two unpainted specimens. Carved. One of a pair. "Immense hewn slabs of cedar, handsomely carved. xxx in practically perfect condition, owing to the fact that they are inside house-posts, and consequently have never been exposed to the weather." (Dr. G. A. Dorsey)