Ornately designed metal sculpture of a cross (part a) that stands on a metal tubular pole and an ornately designed spherical stand. Cross is covered by a large dome-shaped glass cover (part b) and sits on a circular wooden stand. Wooden stand has a label attached to its side with a printed inscription.

Small vial composed of a concave ring foot, a bulbous body, a cylindrical neck, and four vertical ribbon handles placed at the junction of the neck and the body. The body and neck are decorated with raised lines arranged in patterns.

Small yellow-buff jar (amphoriskos) with two handles. The jar is made of very fine-grained light clay, hard-fired with a few small dark grits and white limestone particles. The broad body sits on a ring foot with a short pedestal. The shoulders slope in sharply to a short wide cylinder-shaped neck and a wide mouth with flat, slightly everted rim. The two flattened strap handles are attached to rim and shoulders. The designs are brown-black matt paint mottled in the interior to a dark red-brown. Decoration consists of six thin concentric lines on lower half of body and a broad band around bottom. There are two narrow bands on neck and three on flattened top surface of rim. The foot, handles and inside of neck are solid brown.

Clay dish consisting of red clay with a cream slip. Coarse-grained clay with a few small white limestone particles, a very large quantity of dark grits, giving the surface a very speckled appearance, and a small amount of fine silver mica. Red-brown and grey-black thin matt paint. Very low ring foot, gently curved wall, two small horizontal handles attached to rim. Decoration on the interior consists of two bands of paint on the wall and a spiral starting from a large dot in the centre. The line gets progressively broader towards the outside. Rim and handles painted black. On exterior wall the decoration is more elaborate consisting of red and black bands of varying width and spacing. Bottom of ring foot is decorated with crosshatched lines.

Jug made of cream, fairly fine-grained clay with a cream slip. Grey-brown, thin, matt paint. Pyriform body, short neck, beaked mouth, small vertical handle from neck to shoulder. Decoration consists of three vertical bands dividing neck into two zones. Three groups of horizontal lines in each zone. Body is divided into two halves by a horizontal wavy line framed by two straight bands. In the upper half are wide, latticed vertical panels framed on each side by a plain vertical band. In the lower half of the body are four groups of four parallel vertical lines converging in the centre on the bottom.

Yellowish buff, fine-grained, hard-fired clay jug, with a white slip. Light brown, semi-lustrous paint. Pyriform body, flat base, short neck, tall-beaked mouth, handle consisting of two twisted strands, extends from neck to body. Three-pierced lugs for suspension on body, one at point where neck meets body, two at base of mouth. Decoration consists of horizontal bands on neck and handle, and two horizontal lines dividing the body into two zones. In the upper zone are vertical triangular crosshatched areas separated by a double zigzag line. In lower zone, groups of two wavy lines converge at mid-point on bottom of base. Circles with dot in centre found between the wavy lines.

Figure representing a votary composed of grey-brown, fairly fine-grained clay with white limestone particles and fine silver mica covered in white slip and the details of the face painted in reddish-orange, and there is reddish-orange also painted on the arms and torso. The figure has a tubular body with its hands raised in front of its chest holding tympanum. Small fringe of hair on forehead. Tympanum and arms made separately and applied.

Jar, made of cream, fine-grained clay with a few dark grits, hard-fired and light-weight. Exterior carefully smoothed. Black, thin, matt paint on a cream slip. Pyriform vase with a flat base and three vertically projecting, triangular shaped handles. Body narrows markedly toward bottom. Globular upper portion is covered with three rows of a black, scale-like pattern. Paint on neck and one band on top surface of rim. A broad band appears on the inside below rim.

Spouted jug. Cream fine-grained clay with a dark red slip. White filling in incised decoration. Hemispherical shaped body, tall cylindrical neck terminating at a cut-away mouth. A pierced lug is found at junction of neck and body opposite handle. Vertical twisted handle extends from body to neck below mouth. From the lug a vertical relief band decorated with incised lines extends along body. On neck are four groups of five encircling grooves. On body there are vertical zigzag bands consisting of a row of short strokes framed by lines.

Jug composed of clay with a grey core over-fired to a mottled red and black on the surface. The clay is gritty and full of white limestone particles. Painted with off-white linear designs in horizontal and oblique bands on the neck and body to imitate rush or straw binding. The jug has a ring base, a pyriform body, a tall narrow neck, and a short upward-turned beak-like mouth forming a spout. A strap handle extends from neck to shoulder.