The paper is buff. The ink is red and black.

The paper is buff. The ink is black and red.

The paper is white. The ink is dark blue, light blue, red, and yellow.

The paper is white. The ink is black and red.

The paper is white. The ink is black and red.

Commercially produced Robert Davidson print on a card in red and black on white background, depicting a bear design. The print illustrates a front view of the face, which has been split symmetrically down the centre. The face shows large, red nostrils and an open mouth with the teeth visible. In both top corners, there is a claw design with ' ovoid' socket. At bottom centre is a circular design, with thin yellow border, in very pale pink. It depicts, on smaller scale, same basic face design, but with protruding tongue. The silkscreen print the card is produced from is known as ' Bear Hugging the World' . Silkscreen prints are a recent development in Northwest Coast Native art, but they incorporate traditional design techniques and subject matter. The prints are often given away at potlatches as gifts from the host to the guests. Prints are also sold commercially to non-Native buyers. This card was designed by Robert Davidson, a Masset Haida artist. The design was taken from a silkscreen print, and used as an invitation to a Potlatch in Masset, hosted by the artist in October 1986. The card was only produced for this purpose, and represents a form of potlatch print; Complete

Commercially produced Robert Davidson print on a card in red and black on white background, depicting a bear design. The print illustrates a front view of the face, which has been split symmetrically down the centre. The face shows large, red nostrils and an open mouth with the teeth visible. In both top corners, there is a claw design with ' ovoid' socket. At bottom centre is a circular design, with thin yellow border, in very pale pink. It depicts, on smaller scale, same basic face design, but with protruding tongue. The silkscreen print the card is produced from is known as ' Bear Hugging the World' . Silkscreen prints are a recent development in Northwest Coast Native art, but they incorporate traditional design techniques and subject matter. The prints are often given away at potlatches as gifts from the host to the guests. Prints are also sold commercially to non-Native buyers. This card was designed by Robert Davidson, a Masset Haida artist. The design was taken from a silkscreen print, and used as an invitation to a Potlatch in Masset, hosted by the artist in October 1986. The card was only produced for this purpose, and represents a form of potlatch print; Complete

Large metal sculpture, called "Raven Calling". Large, black, abstract raven design; made in two halves that join at the back and open outward. Pieces are held at bottom centre by three metal rectangular pieces (parts c-e) that screw into the two main pieces. Each side (parts a-b) is 147 x 115 x 3 cm. Made of epoxy powder-coated, machine-cut aluminum.

Modified file with textured surface on both sides. One end abruptly tapering to a long point with the tip bent upward.

Modified file with textured surface both sides. Tapers abruptly at one end, to short tip which is curved upward.