Drawing of a humanoid figure in black ink and graphite on off-white paper; vertical orientation on white background. Figure has a large ovoid-shaped head with long hair and its tongue sticking out. Face and body are made up of formline design elements. Figure is crouched in water, with its hands raised, water trailing from its fingers; fingers are long and tentacle-like. Water has dark patches throughout. Artist signature and date made written in bottom left corner. Framed.

Egungun costume. One-piece mask and costume; the cloth mask, with a circular frame, is made of black velvet-like material. Metallic, silver scalloped ribbons decorate the sides and back. The front of the mask is made of a cowrie shell embroidered mesh panel, with wide gaps between the rows where the eyes would be. In the centre of the mesh panel is a hanging strand of cowrie shells and painted beads, with a small bell at the end. Strand secured to panel with plant fibre. A small red, stuffed ball is attached to the bottom centre of the panel. Along the forehead of the mask, above the cowrie shells, is a wide curvilinear motif done in sequins and beads. Fabric covered square board is stitched to the top of the mask. It has a central floral motif and short brown fringe along its edges. Heavily beaded panels hang from all sides of the board- three on the front and each side, one along the back. Panels depict curvilinear, geometric and animal motifs in sequins and beads. Back panel has “AYÏBAMA” written across it. All are lined with orange cotton. Bottom of mask has a frilled collar. Collar made of dark green velvet-like material with metallic gold ribbons, red trim and thick white and red fringe. Underneath the collar, attached to the front and back of the mask, are two weighted bags. Extending from the bags are three layers of long lappets. The top layer is covered entirely in sequins and beads. The designs are geometric, animal and curvilinear. The second and third layers are made of velvet-like material and have geometric, linear and curvilinear motifs. All beaded lappets are trimmed with metallic red zigzag ribbons. First layer of velvet-like lappets are trimmed with silver zigzag ribbons, second layer trimmed with gold zigzag ribbons. All lappets are lined with machine-printed cotton that have frog designs across them. Underneath all of the lappets is a plain red cloth, trimmed with a black zigzag ribbon.

Shrine or power figure. Roughly shaped in the form of a bush cow; made of various compacted (unidentified) organic materials. The body surface shows cracks all over in the dried, layered materials. Also a layer of orange-brown streak marks running down the sides.

Giant squid sculpture made from reclaimed plastic fishing nets ("ghost nets"), plastic twine, mild steel, and galvanized wire. The figure has a partial metal frame inside. The squid has a long mantle made of net and coiled plastic, six white arms with coiled red suction cups, and two longer feeding tentacles with blue netting on the diamond-shaped tips. It has two giant circular eyes on either side of its head, a round open mouth with black beak, a multi-coloured fringe-like collar, and two long fins made of black and gold net with white coil decorations.

Puppet frame (or mobile stage) made of bamboo sticks tied together with strips of old tire rubber, in an arch-shape. (Would be used with a puppet head, 3420/79 or 81, and a textile cover, 3420/80 or 82.)

Puppet frame (or mobile stage) made of bamboo sticks tied together with strips of old tire rubber, in an arch-shape. (Would be used with a puppet head, 3420/79 or 81, and a textile cover, 3420/80 or 82.)

Large sea turtle figure made from reclaimed plastic fishing nets ("ghost nets"), plastic twine and rope. Figure has a partial metal frame inside.