Stonecut and stencil print of a small family with the father standing in the centre, mother to the left and child to the right. Mother and father are forward facing and child is shown in profile, reaching towards the father. All are wearing white parkas, light brown mittens, and blue-green fur pants. The father and child have matching fur boots, the mother has dark blue boots. The mother’s parka has a long tail, ties in the front and multiple black bands along the bottom edge and cuffs. The father’s parka has a tassel-like decoration on top of the hood, and bands of black and red-orange around the bottom edge and cuffs. The child’s parka has black band decorations. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in top right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Stonecut print of eight hunters pulling a sled. Four hunters are holding onto the sides of the sled, two on either side, and three are pulling it forward with a single cord. The four holding the sled have their backs turned, three pulling are facing left. The eighth hunter is standing alone in the foreground. All are wearing parkas, with the hoods up, short pants, and tall boots. The clothing of the seven with the sled are plain black. The eighth hunter has white trim along the parka cuffs, and bottom edges of the parka and pants. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in bottom right corner. Canadian Eskimo Arts Council blind-embossed stamp below Cape Dorset Co-operative symbol. (Print is taped to board backing.)

Stonecut and stencil print of a woman with a sealskin tent. The tent is partially assembled with one pole secured and the roof hung overtop. Roof consists of dark yellow and black sealskins stitched together. The woman is standing to the right of the tent, attaching the poles. She has braided black hair and is wearing a white parka, light grey pants and large boots. The parka is long-tailed, with black trim along the hood, and is outlined in dark yellow ink. There are black rocks across the base of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in top right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Serigraph print of a husband and wife. The woman is seated on a raised platform inside a dark blue structure. She is wearing a blue and white striped dress with a red border along the bottom edge. Her child is on her back, held in place with a red and blue cloth. One of her arms is held out, offering a black bucket to her husband. The man is standing in the entryway of the structure. He is wearing a blue and white striped shirt, red pants and red boots. His left hand is reaching for the bucket, his right is holding a ladle(?). In the background, above the couple, is a small figure wearing a black shirt and red pants. He is bent over, balanced on one foot, and reaching towards the woman. In the bottom right corner of the print the title, signature, edition number and date made are written in pencil. Signatures, in syllabics, with Baker Lake symbol stamped next to pencil inscription. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner. (Print is taped to board backing.)

Small carving of a seal. The seal is on its stomach with its head raised and looking left. The body is propped up on its fore flippers. Its lower body is curved to the left, hind flippers pointed to the right. Circular indents in the face, imitating eyes and nostrils, with an incised line below, imitating the mouth. Claws are carved in relief. Carving is unsigned.

Carving of a snowy owl on a small square base. Owl is standing with body tilted forward, wings tucked at sides. Wings are carved in relief. Wide triangles incised along feet edges, imitating claws. The eyes and nostrils are black insets. Carving is unsigned.

Ulu type knife. Metal blade is crescent-shaped with a beveled bottom edge. Top edge curves downward from centre on both sides, before flaring out again at corners. Blade is attached to a metal shank, with two rivets, that is inserted into bottom centre of wooden handle. Handle is rectangular in shape, with a rounded top edge.

Green stone carving of a man pulling up a seal. Man has oval-shaped eyes, straight nose, and incised mouth and eyebrows. Finely incised vertical lines across forehead, imitating hair. Figure is wearing a parka, with the hood up, pants, and tall boats. Trim of hood and boots are carved in relief. Trim along bottom edge of parka and cuffs done with incised lines. Man is sitting with his legs spread out. His right is lying flat and bent away from his body, and his left is propped up. Between his legs, he is holding the head of the seal with both hands. The seal is staring upward, with its back to the man and fore flippers held in front of its body. The lower body and hind flippers curve below the man. Circular indents in the face, imitating eyes and nostrils, with incised lines around, imitating whiskers and the mouth. Claws and hind flippers are carved in relief. PUDLOO E7-9 on base.

Carving of a standing bear, made of Baffin Island white marble. Circular indents in face, imitating eyes, and nose and mouth are incised lines. Triangular ears and rounded tail are carved in relief. Head of bear is narrow, tapering into a rounded body, with wide, cylindrical limbs. Face is looking right and tilted at an angle. The hind legs are widely spaced apart, and the left is slightly bent. Forelegs are held in front of the body, with the right bent inward and the left stretched outward. Incised lines along edges of all paws, imitating claws. Partly illegible inscription on base.