Door made of two darkened, rectangular wooden panels with a thin rectangular piece of wooden trim covering where the panels join. Trim attached to the right panel by ten nails. Eight nail holes on right edge of left panel, likely where the trim was attached to left panel. Two snakes carved in high relief, moving towards one another, on the wooden trim. On the two panels there are high relief carvings of plants, tools, weapons, geometric shapes, humans, birds, lizards, crocodiles, turtles, and other quadrupeds. Background of panels has gouged cross-hatched lines throughout. Six holes, total, along the edges of both panels. Three on right edge of right panel at the bottom, centre and top. Three on left edge of left panel at bottom, centre and top. Three smaller holes, in a triangular pattern, are on the left edge of the left panel between the larger middle and top holes. Backs of panels are undecorated. Hanging hardware secures the two panels together, on the back.

Carved door panel made of two wooden rectangular panels, held together by three horizontal wooden boards nailed to their backs. Right side of left panel is jagged, it extends slightly over the right panel. Left panel has spindle extending from bottom left corner. Top left corner of left panel has round extension. Left panel has carving of large male figure with his hands upraised, holding ceremonial pots in each hand. Below him are four figures, in two rows of two, facing inward and carrying staffs. Right panel has carving of large female figure with her hands upraised, holding ceremonial pots in each hand. On her left there is a small figure holding a curved object. On her right there is a small figure with characteristics of the deity Eshu-thumb in mouth and phallic hairstyle. Below the large female there are five figures, two rows with three above two, facing inward and holding offering pots. Three of the five figures have the deity Eshu's hairstyle. Between the two figures on the bottom is a carving of a divination tray, known as Ifa. Tray is circular, made of cross-hatched lines. All designs carved in high relief. There is a small square cut out on the right panel between two figures holding offering pots. Nails securing boards on back are visible from front. Three nails for each board. The nails in the centre are straight, the nails on either side are bent over, to lie flat against the panels. Additional nail along right edge of right panel, bent to lie flat.

Footed stone mortar or bowl. Wide and deep bowl, held up on a flared pedestal. The exterior of the bowl has raised knobs around it, right above where it tapers in to the foot. The form is lop-sided.

Fragment of stone bowl or mortar with raised knobs decorating the circumference. The bowl portion is deep and wide.

Pig tusk neck ornament. The circular frame is wrapped with layers of plant fibres, plant materials, and red or beige fabric. The tusks are strung around the frame by a thin twisted cord, with points curving away from the shell piece at centre.

Ring-shaped stone club head(?). Rough surface with mottled appearance.

Cassowary bone dagger with a clay(?) head. The head is painted black and red, and has inset shells for eyes as well as smaller shells for designs. Pig tusk extends out from both sides of the figure's large nose. Each ear has two pieces of twisted plant fibre though it, and the head is adorned with a small amount of human hair and a fan of cassowary feathers.

Painted oval-shaped gable board with design carved in shallow relief. The negative space is filled with white or red pigment, and the raised design is black. The top of the board has a stylized face, with two carved-out spaces for eyes. The back is undecorated, has a raised area at the centre, and has mounting hardware at top.

Female ancestral figure of wood with exposed pointed breasts and female genitalia. Figure stands with arms down at side, and feet that are part of a rounded base. There is twisted fibre cord through her septum, ear holes, around neck and around the waist with longer fringe. The eyes are inset cowrie(?) shells. The figure has a second face on the back of the head which is very to the front. There is a small white square painted on the base.

Large dance mask (part a). The wooden mask is oval-shaped, and painted black. Rectangular holes are cut for both the eyes and mouth. Surrounding the mask is a large amount of plant material simulating hair, which is attached to both the mask and wooden frame. The mask is adorned with a headdress consisting of a red woven band, three rows of small circular shells, a single row of cone shells, the remnants of a row of red feathers, and topped with rows of black feathers. A wide strap of plant fibre extends back around the head, and is decorated by four shells on each end. A rattan frame extends down to each side of the mask, with woven fibre and strings of shells attached. Three similar dance wands (parts b-d) of red feathers and bird skin, one of which is still mounted on a wooden handle (part b). An ornament (part e), composed of three pieces that are tied together - a bundle of black feathers, a wrapped stick with a piece of bone, feathers and metal, and another pointed stick piercing a ball-like decoration.