A small ceramic vase (part a) with a rounded lower body which tapers into a cylindrical neck that flares slightly at the rim. The vase has an apple green colour with a fish roe crackle finish. With circular wood stand (part b).

Plain vase (part a) speckled red and blue-black in colour with rounded lower body tapering into a long cylindrical neck. With wood stand (part b).

A blue and light blue flambe glazed ceramic plate (part a) with a lobed shaped, scalloped edge. The wood stand (part b) has metal hinges.

A pair of plain red ceramic bowls with white rims and crackled bottoms, sang de boeuf glaze.

A ceramic vase (part a) with a rounded lower body which tapers upward to a smaller rim. There are two molded elephant heads on the neck. Sang de boeuf glaze. The wood stand (part b) has a curled design.

Plain red, sang de boeuf glaze, ceramic vase (part a) with a rounded upper body which tapers at the bottom and has a smaller upright opening. (Part b is a wooden stand with three small feet, in storage.)

Circular, white porcelain plaque featuring a scene in blue of two figures--one on horseback--crossing a bridge. Plaque is enclosed within an elaborately carved, circular, wooden, frame-like structure that stands on six scrolling feet. Carved from the same wood in the same intricate, sinuous manner is a supportive stand (part b) for the plaque and wooden frame.

A pair ceramic dishes. Decoration consists of polychrome butterflies on the inside and of lichees, persimmons, and peaches on the outside. The rims have scroll borders.

A small white glazed pot (part a) with a bulging lower body. Pot has molded animal handles. Blanc de chine ware. With wood stand (part b) that has four small feet.

Flat circular metal piece. TLV mirror, representative of the universe, in black, plain boss handle in centre. Central semi-rounded knob is surrounded by a square, which is surrounded by eight smaller semi-rounded knobs. Circular design of archaic characters. Circular row of sunray-like pattern. Rim has swirl design around it. There are six concentric bands, four decorative and two inscriptional. The inner circle of inscriptions is framed in a square and lists the names of the twelve earthly branches, which correlate with the twelve intervals of the day, the twelve months, and the twelve zodiac animals. The outer inscriptional band begins with “Mr. Wang” and “new family” There are also three sets of T-, L-, and V-shaped marks. The reflective surface on the other side is now black from oxidation.