Pencil tracing of two thunderbirds facing opposite ends of a transparent, rectangular piece of plastic film. Thunderbirds are symmetrical images. Heads are touching at the centre and are slightly tilted upwards. Wings and body extend to each end. There is an inscription written above the image. There are remnants of adhesive tape on both ends.

Pencil drawing of two thunderbirds facing opposite ends of a rectangular piece of blue-lined paper. Thunderbirds are symmetrical images. The heads are touching at the centre and are slightly tilted upwards. Wings and body extend to each end. Inscription written underneath image and on back of paper. Two strips of adhesive tape are applied horizontally over image.

Pencil tracing of two thunderbirds facing opposite ends of a rectangular, transparent piece of plastic film. Thunderbirds are symmetrical images. Thunderbirds heads are touching each other at centre and are tilted upwards. Wings and body extend to each end. Inscription written underneath drawing.

Pencil drawing of two thunderbirds facing opposite ends of a rectangular piece of paper. Thunderbirds are symmetrical images. The heads of the thunderbirds touch at the centre and are slightly tilted upwards. Wings and bodies extend to ends. There is adhesive tape, applied horizontally over image and on top centre area of paper. Inscription written under image.

Pencil tracing of a bilaterally symmetrical beaver on a rectangular, transparent piece of plastic film. Face of beaver is at centre and body extends to both ends. Inscription written underneath image.

Object is a sheet of paper with ten transfers on adhesive tape attached. Transfers are of jewelry pieces. Ten transfers in total, five bracelets, four rings, and one brooch. All jewelry depicts traditional Northwest Coast style designs. Above each transfer, the artist has written an inscription. All transfers are placed horizontally and parallel to each other.

Carved silver pendant of a thunderbird. The bird looks to its right and has its wings raised so they meet above its head. There is a small loop at this point. Inscription on back.

Print of a beaver. Face, ears, and midsection are heavily outlined in black. Face is shown frontally with black eyes, red nose mouth and jowls, and white teeth, the middle two being larger than the others. Arms and legs are red. Body has a face in it with crosshatching above. Signature, title, and edition number are below image in pencil. Two impressions at bottom left. Edition 19/225.

Artist's proof of shark print. Face is shown frontally with black eyebrows and pupils, red nose, mouth and sharp, downward pointing teeth, and blue-green around eyes and on forehead. Body is mostly black, with red and blue-green Northwest Coast design features. The arms and feet are outlined heavily in black and have Northwest Coast style faces in them. Inscription, signature, and date in pencil in lower left corner. Embossed in lower right corner.

Strip of silver held with wax ? to a block of wood. The silver is a long rectangle and has carvings on it. It is held to the wood with a greenish wax ? known as chaser's pitch. The wax ? is squished out from under the silver and covers much of the surface of the wood. The engraved design on the metal strip has an eagle's head as part of it. The back of the wood has a narrow strip of wood glued onto it. There is writing in ink on the back.