Stonecut print of four people dragging three seals into a tent. Figures are all wearing hooded parkas, trimmed with fur, and tall boots. Figure in front centre is bent over and holding a rope, attached to a seal, and figure on left is holding an ulu knife. Tent consists of dark yellow and black sealskins stitched together; circle of black rocks around base. Two lines extend from either side of tent, supported by central poles of tent and separate ones staked into ground outside. Dark red skins are hung over the lines and poles; harpoons lean against the side of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in bottom right corner.

Stonecut print of a camp. Scene consists of four igloos with eight figures and two dogs. There are three igloos in the background and one in the foreground; back igloos are in a row, front igloo in centre. The igloo on the left side of the print has walls extending outward and connecting it to the igloo in the foreground. All of the figures are wearing hooded parkas, mittens and tall boots. Four figures are in the background, on top of and behind the igloos, holding tools. One figure is sitting, hunched over, in the entrance to the igloo on the left. Another figure is on their knees, holding a fish, in the entrance to the igloo in the foreground. In between the two sitting figures is a dog. On the right side of the print a woman is standing, with a baby strapped to her back, and holding a pole with three fish speared on it. The second dog is standing on its hind legs, next to the woman, attempting to eat the fish. There is a sled in the upper right corner of the print, behind an igloo; hunting equipment in the bottom left corner. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in upper right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Monochromatic stonecut print on paper. Four figures stand facing forward, the three young men wearing hooded sweaters with images of ducks or seals on the front, and a woman wearing a parka with a long front panel. The face of a small child peaks out of the hood beside the woman's. All wear short pants over tall boots. The right-most figure raises his left hand in a wave.

Stonecut print on paper. A large sea bird fills the picture plane, with a large head, pointed beak, and round open eye. The wings are small and rounded, pointed downward. The bird is in three colours: black head and beak; dark blue back; and yellow-green body, neck and wings. Uncoloured areas of the background show through on face and stomach.

Sealskin stencil print. On a white background are the black silhouettes of two male figures in parkas, with peaked hoods. Figures stand with legs slightly braced, arms outstretched, fingers joined. Above their hands is a three-headed goose motif in black and shades of brown.

Stonecut print on paper. A large green-blue bear stands on all fours, with a long, slightly curved head and snout, a partially closed eye, and small ear at top. The animal's rump is exaggerated, large and round, along with wide front and back legs. The bear's fur is shown as textured with tiny triangular marks across the surface.

Stonecut print depicting a large polar bear being pursued by a wolf, a hunting dog and a male hunter. The hunter wears boots, pants and a hooded parka and carries a spear. To the right of the hunter’s head are four stamps. Two of these stamps are red with the top stamp perhaps depicting an eye. The bottom two stamps are black; one of which is more faded than the other. Inscription: "Chasing the Bear stone cut #40/50 Cape Dorset N.W.T. 1961 Eegyvudluk" runs along the bottom of the image.

Print comprised of ten birds, three adult human figures, one small sea creature with hair braids and hands outstretched downwards, and three animals interspersed. Bottom reads; "Complex of birds stonecut 31/50 Cape Dorset Baffin Island 1960 Kenojuak." Stamped with names of artist and printmaker in Inuit syllabics in monogram form with Cape Dorset igloo stylized in top left corner. The print is hinged to white mat board.

Print depicting four figures: two walruses, a bear/walrus figure, and a human/walrus figure. Below image is written, "4/50 Eegvudluk" and "#48" in the bottom left-hand corner.

Print depicting a dog figure in profile with a forward-facing smiling face, and its tail raised. There is a hole in its belly near the back legs with two pups in silhouette. Below the image is written, "Dog of FERTILITY Sealskin Stencil 7/50 Cape Dorset N.W.T. 1961 Eegyvudluk." Stamped with the names of the artist and the printmaker in red Inuit syllabics in monogram form with the Cape Dorset stylized igloo and the Canadian Eskimo Arts Council logo in black underneath.