A watercolour painting which depicts a spiritual being with four arms and an animal-like head. The being has a black head and green body. It is wearing a blue skirt that ends just below the knee. The bottom of the skirt has a border made up of red, blue, yellow, and green horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the waistband, which is decorated with a repeating circular pattern. A red, striped sash is draped diagonally across the being's chest. Additional adornments wrap around its chest and neck, and decorative bands encircle its biceps, wrists, and legs. The being's head is elongated, and facing to the left. It has two eyes stacked vertically above an open mouth. Its lower jaw is filled with sharp teeth. The being has a pointed, red ear on the side of its head, and three white bumps on top. A long black tail extends behind the head and across its shoulder. One of the being's arms is holding an elephant head by the trunk. The other arms are holding a round, red and green object, a small, thin blade, and a slightly larger curved blade. There is an animal standing behind the being. The animal is green, with a large, round body, a long face, hooves, and whiskers. The painting's background is bright yellow, and a rectangular black border surrounds the image. There is a unpainted section behind the being's head and shoulders.

A watercolour painting which depicts a spiritual being seated on a horned, four-legged animal. The being's skin is white, and it is wearing a brown skirt that ends just below the knee and curls outward at the hip. The bottom of the skirt has a border made up of white, yellow, and brown horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the skirt's waistband, which is decorated with a repeating circular pattern. A blue, dotted sash is draped diagonally across the being's chest. Additional adornments are wrapped around its chest and neck, and decorative bands encircle its biceps, wrists, and ankles. The being has narrow eyes, a small mouth, and stretched earlobes which extend to its chin. Decorations extend from the bottom of its nose. The being's arms are raised by its sides, and one of them is holding an object with a long, thin handle and a rounded, tapered end comprised of multiple strands that hang down to the being's wrist. One of the being's legs is bent underneath it, and rests on the head and back of a four-legged animal. The animal is light orange, with a humped back, short, pointed horns, and long face, legs, and tail. One of its back legs is lifted and bent. The painting's background is bright yellow, and a rectangular black border surrounds the image. Orange and white rings radiate from behind the being's head and shoulders.

A rectangular sketchbook folder with most of its pages torn out--two pages remain inside. Sinhalese script has been written in blue pen in the top right corner of the cover. The folder is bound at the spine with thin, cotton thread, which is woven through the cover and inner pages to hold them together. The first page is a sample sheet with information about the sketchbook and manufacturer. The second page is also a sample sheet, with text on the back side. The cover is blue, and reads 'The Waverly Artistic School Drawing Book' in the bottom centre of the page. Above this, inside of a solid black oval, is a left-facing portrait style bust of Mars wearing a toga and a Roman helmet. Sitting on top of his helmet is a small, winged dragon with its mouth open and tongue out. Extending from the bust is a broad, floral border which continues along the top and sides of the cover in a rectangular arch. Thin, horizontal stripes fill in the space between the flowers and leaves. Surrounding the floral pattern, bust, and title is a second border, consisting of three thin, parallel lines.

A Gara Raksha (demon) mask. The mask is comprised of a face (part a) and two detached ears (parts b-c). All three parts are painted green, red, and white. The mask's eyes are cone-shaped, and protrude dramatically away from the face. Underneath each eye is a crescent shaped hole which allows the wearer to see. The mask's nose is pointed, with a bump on the bridge and two large nostrils. Its large, red mouth is filled with teeth, and two curved tusks that extend outwards from either corner. The mask's bottom jaw is secured via string, allowing the mouth to open and close. Three cobras with flared hoods extend upwards from the top of the mask. The one in the centre is the largest, and extends from the mask's forehead. The two smaller cobras extend from each of its temples. Around both of the mask's eyes and across the bridge of the nose is a decorative pattern comprised of round, elongated shapes. The mask's ears (parts b-c) are round, concave discs with lotus flower motifs painted on. There is a small hole in the centre of each disc, and a wooden peg extends from a point on the outer rim. When attached, the ears flare outwards from the sides of the mask's face. The back of the mask is unpainted. A braided rope and piece of thin cloth are tied through small holes in the mask, in order secure it to the wearer's face.

A mask depicting the anabera kolama (drum messenger), a figure in kolam popular drama. The mask is painted yellow, with red, black, and white details. Its hairline is outlined in red, and the wood above the hairline is unpainted. The mask's red-rimmed eyes protrude slightly from its face, and are shaped like half-moons. Underneath each eye is a crescent-shaped hole which allows the wearer to see. The mask's nose is prominent, with a downward curve and large, hollow nostrils. Its red mouth is open in a large, toothy smile. Forehead creases are carved into the mask, and outlined in red. Its eyebrows are painted in black. The mask has a full moustache and long beard, which are fashioned from strands of jute. The jute is knotted to a piece of string, from which it hangs. The string is tied through small holes in each of the mask's ears in order to affix the beard and moustache to the face. Some of the jute in the beard has been twisted together in order to create thicker strands. There are two small holes above the mask's ears, and one at the top of its head, but the material used to secure the mask to the wearer's face is missing.