Carved wooden pudding knife. Paddle-shape blade is flat and broad at base tapering to a pointed end. Above the blade there is a hilt bordered with oblong shapes containing an oval with serrated edges and a circular hole in the middle; above this the handle is a long oval with serrated outer edges that tapers to point at the hilt end, with an open centre of the same oval shape.

Carved wooden pudding knife. Paddle-shape blade is flat and broad at base tapering to a pointed end. Above the blade there is a hilt/handle comprised of 3 sections bordered with oblong shapes. The section closest to the blade is a lozenge shape with two triangular openings; the middle section has two facing crescent shapes connected with a central rectangle of wood; the third section is an oval with two half-oval openings. The knife is capped with an eye-shaped opening with a serrated top.

Carved wooden pudding knife. Paddle-shape blade is flat and broad at base tapering to a pointed end, above the blade there is a hilt comprised of two oblong shapes bordering a lozenge shape with two triangular openings. Above the hilt is a cylindrical handle tipped with an oblong knob and forked V with serrated edges.

Vanuatu Independence Day dress. Dress is made up of rectangles of yellow, red and green cotton with black trim at hem, pockets and sleeves; also black bodice with green, gold and red satin finish ribbons used as design around neckline and sides. Short puffy sleeves with elastic at arm openings.

Carved ceremonial adze with small carved stand (part b) to hold blade for upright display. Adze is decorated mainly in three sections: at the top appear to be two entwined creatures, both with circular shell eyes; at centre of handle is another carved creature with circular shell eyes, and another is carved at the butt end. Adze has a long narrow dark green stone blade, which is lashed to the handle with a light yellow-white twine. The stand is wood with a slot carved for the blade and decorative designs carved into the sides.

Horizontally rectangular woodblock print of a rectangular mass of fish, filling most of the frame and pointing in several directions, in black ink on handmade banana fibre paper. "Ralph Ako Spirit of Solomon 2010 43/80" written in pencil below image.

Stencil used for decorating tapa cloth. Designs of a large palm leaf and a row of squares have been cut into an X-ray film negative. Stencil has been used and is coated with multiple layers of black and brown paint.

Hand made and burnished dark orange clay pot with squared double handles on opposing sides of the neck. Rim flares slightly from the neck which has lines of three raised bumps that run down to a jagged ridge of pinched points around the shoulder. Rounded bottom is slightly flattened

Wheel thrown brown pot of cream coloured clay covered with green resin. A shallow carved design of four walking stick figures with linked hands encircles the pear-shaped pot with flat bottom and slightly curled lip.

Dark orange unglazed water pot (a) sits on small basketry ring base (b). The boat-shaped vessel has a chimney-spout opening in the middle of the closed top, flanked by two raised radiant sun?, and a jagged pinched trim around the top of the rounded hull. Hanging net-like V shapes are carved into the sides below two horizontal rows of face-like circles of clay.