In 1968, George Phebus did a survery of the Department's totem poles, some of which did not have catalogue numbers written on them. At that time, he made his best guess as to which number went to which pole. He assigned catalogue no. E18925 to a Bella Coola/Nuxalk pole with bear/owl/beaver figures. However, the description in the accession records for totem pole #205851 more closely matches this pole, so its number has been changed from 18925 to 205851. Robin Wright has confirmed the Bella Coola/Nuxalk attribution of this pole. ET14953 and ET14957 also match the accession record descriptions of other parts of this pole, so they have been changed to # 205851 as well. - Sally McLendon and F. Pickering 11-2-2006.As of 2006, pole consists of 5 separate sections: bear/owl/beaver section (which actually consists of two connected pieces); eagle crest top section; mountain goat? section; head section; torso section. See info. in accession record from collector for why this is so. Note from collector/donor Iver Fougner in accession file indicates this is from "the lower Indian Village, Bella Coola, B.C.".IN 1990 THE LARGEST SECTION OF THIS TOTEM POLE (WHICH CONSISTS OF TWO CONNECTED PIECES) WAS ON EXHIBIT (under incorrect Catalogue No. 18925) IN NATURAL HISTORY MUSEUM EXHIBIT HALL 9/11 WITH THE FOLLOWING LABEL: "TOTEM POLE. PROBABLY BELLA COOLA. THE FIGURES REPRESENT (FROM TOP TO BOTTOM) A BEAR, AN OWL, AND A SQUIRREL [sic]." As of 2004, this section of totem pole was on exhibit in left side of NMNH Imax Theater lobby. 2009 exhibit label identified pole as made by Tlingit, Bella Bella, or Bella Coola [though Bella Coola is most probably correct], and identified crests as, from top: bear, seated owl, beaver.Clyde Tallio (Nuxalk) of the delegation from Bella Bella, Bella Coola and Rivers Inlet communities of British Columbia made the following comments during the Recovering Voices Community Research Visit May 20th - 24th, 2013. The very top figure always represents the form in which your ancestor came from the upper world and it depicts your male lineage. The next figure underneath usually represents the mother, grandmother, or wife because she is uplifting her husband with all that she's brought to him. At first when we got here, I thought we were looking at a Heiltsuk piece because Nuxalk are fully painted, they're not supposed to leave any spot unpainted.Starting from the top down, the 5 currently separate component parts of the pole would be put together in this way: eagle section, bear/owl/beaver section, mountain goat section, human head section, human torso section (head goes with/on the torso, though currently in two separate pieces). The back of the wing of the eagle section has the number 367523 scrawled broadly in a blue drafting pencil. The accession number for the Fougner collection is 36752. Possibly the additional 3 was a part number?2018, Bear, owl, beaver section of pole is on exhibit in NMNH Sant Ocean Hall.

From card: "Piece of red fringe used for face paint."This material is described on the catalogue card as "fringe." It may be speculated that this material is actually a kind of fungus.Listed on page 47 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

From card: "...B) whale bone; curved shaft, circular carved head."Listed on page 46 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

Listed on page 47 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

FROM CARD: "LEATHER. TWO THICKNESSES OF MOOSE OR ELK HIDE. TOTEM ? [crest] PAINTED INSIDE. [This text on card probably taken from USNM Annual Report, 1893; p. 642 description of plate 19, Fig 2.:] SKIN ARMOR:--MADE OF THICK TANNED ELK OR MOOSE SKIN FOLDED TWICE INTO OBLONG FORM LIKE A SHEET OF NOTE PAPER. SEWED OVER THE SHOULDERS AND STRENGTHENED INSIDE BY HINGE PIECES. OPEN ALONG RIGHT SIDE, THE EDGES CUT INTO COARSE FRINGE. A SHORT SLIT DOWN LEFT SIDE BELOW THE SHOULDER LEAVES A PASSAGE FOR THE LEFT ARM. ABOUT MIDWAY NEAR THE RIGHT SIDE IS FASTENED A WOODEN TOGGLE, BY WHICH, PROBABLY, WAS SUSPENDED THE DAGGER. THE FRONT OF THE COAT IS DISCOLORED AND DENTED AS THOUGH AN ATTEMPT HAS BEEN MADE TO RENDER THE LEATHER MORE DENSE BY HAMMERING. THE LEATHER HAS PERHAPS ALSO BEEN TREATED WITH GLUE, AS DESCRIBED BY FATHER MORICE AMONG THE TINNE [Athabaskans]. INSIDE THE ARMOR AT THE BACK IS A FINELY DRAWN AND PAINTED TOTEM [crest] IN A CIRCLE 10 1/2 INCHES IN DIAMETER. WIDTH, 26 INCHES; HEIGHT, 36 INCHES. TAKU INDIANS, SOUTHEASTERN ALASKA. ILLUS. IN USNM AR, 1893; PL. 19, FIG. 2; P. 642."There is a painted crest design, possibly raven or eagle?, on interior of armor.Similar to E168157 (see remarks for that object), this Taku Tlingit object may originate with the Taku Tlingit of the Upper Taku River area of British Columbia.