Large white mask, with black and red as secondary colours, has curved beak with a spiral curled end resting on a square-like upper lip. Tapered curved downturned horns are inset into square grooves at upper rim above eyebrows and facing forward, a piece of metal is nailed at upper rim above each horn. Crescentic brows above black and white circular pupils. Beak has black ridge with short lines on each side; beak incorporates flaring hollow nostrils, two black ridged curvilinear lines above each nostril, black line along nostril rim and spiral end, red underside to beak; red lip band. Upper lip band has a series of inward pointing black triangles and a triangular groove at each end. Nailed at side on right is a small crooked beak of heaven mask. At back, curved red rectangular piece attached at hinge on bottom of upper jaw. Metal nailed over split on interior of lower jaw.

Humanoid face mask with a straight profile. Red horse's hair, with the ends wrapped in brown paper, are inserted into twenty-two holes drilled into the upper rim. Hollow oval eyes are surrounded by a plain tapering oval and a recessed oval. Light blue-green forehead has patches of white, wood visible through the paint, and an abstract red form line design on the forehead. Black brows protrude slightly. Blue-green band covers the temple, the orbital plane, the cheek, and the nose. Upward thrusting nostrils that are black on the underside and red on the outer side. Upper lip and chin. Three thin red-brown lines at the lower cheek on the left extend from the side edge to the mouth. One thick and one thin red-brown line on the lower cheek on the right extend from the side edge to the mouth. Open mouth with black next to the upper and lower teeth. On the reverse, there is a piece of wood that extends from the back of the mask with a strip of leather attached to the wood.

Humanoid face mask with long brown hair glued into twenty drilled holes in the upper rim. Split red u along with an ovoid and a diagonal form line design on the forehead. Pointed downturned eyelids. Hollow tapering semi-oval red eyes are surrounded by a green area above connecting across the bridge of the nose in between and over to the right side of the mask. Red ears. An eight red rounded point design surrounds the mouth and extends on to the cheek area and the nose. On the reverse, there are six holes on the upper rim, hair and glue in two holes. Small piece of wood glued between the mouth and the nose at the back. Two holes are drilled into each side of the mask at eye level while a length of string passes through the holes and is tied.

Small buff coloured dish with two small handles and circular designs. The dish is made with finely grained and soft clay, full of small white limestone particles and dark grits. The base is flat with sides curving outwards to the rim. There are two small horizontal handles attached to the sides. There designs are painted with a dark brown, thin, matte paint. Interior decoration consists of concentric bands of varying width on the interior and a band around the rim. Exterior designs include concentric bands around the lower body and a Maltese Cross on the bottom of the dish.

Kyathos made of red fine-grained, light porous clay full of small white limestone particles and dark grits. The bowl was fired; has a red rim and handle; black painted lower body and inner bowl. Deep bowl, wide flaring upper portion, funnel-shaped below with narrow upright rim and forked handle attached below rim. The tip of the handle has a serpent-like appearance. Narrow base ring.

Clay jug, light orange, fine-grained, hard-fired clay with scattered white limestone particles and fine silver mica. Thick cream slip, dark grey, thin, matt paint. Low ring foot, globular body, narrow neck, flaring rim pinches to form a trefoil mouth, vertical handle from neck to shoulder. Painted decoration consists of one band outlining the lip, a band on neck and one at point where neck joins body, a group of five concentric circles on shoulder, a group of three on lower body and a broad band covering foot. Zigzag on handle.

Barrel jug. Red-brown, fairly fine-grained clay with white limestone particles and fine silver mica. Grey-white thick slip over all. Grey-black, thin matt paint. No base, high, flaring neck with small handle-ridge, flaring trumpet mouth, vertical handle from body to ridge on neck. Two small circular protrusions, one on each side of the body. Decoration consists of vertical strokes on rim, horizontal bands on neck and strokes on handle. Two groups of broad and narrow concentric circles on each face. Beneath handle and on body opposite handle, two hatched lozenges with a pendant triangle.

Bowl made of medium-grained red, hard-fired clay, gritty to the touch with scattered red grits and fine mica. Thin red slip covers entire vessel. Black, thin matt paint. Deep bowl with low ring foot, steeply rising walls, slight carination just below lip, two small ribbon handles attached to top half of body providing a finger hold. Decoration consists on interior of concentric bands of varying widths in central portion of wall and two bands on bottom. A band defines the lip. On the exterior are concentric bands around the middle of the body, a row of concentric circle motifs around the upper half and paint on handles.

Amphora, made of cream, grainy clay, full of dark grits. Red-brown and black, thin, matt paint. Small conical foot at bottom and cylindrical between base and body, oval body with flat everted rim and flat vertical handles from rim to shoulder. Decoration consists of short strokes in groups on top surface of rim and handles. Edges of rim and handles outlined with a continuous line. Wavy line on neck. Band at junction of neck and body. Broad and narrow bands in black paint in central portion of body, surrounding one broad red-brown band. Black base.

Oinochoe made of red, fine-grained, hard-fired clay. Red slip, burnished in places, covers the entire surface. Black paint. Low ring foot, globular body, short narrow neck, pinched rim to form a trefoil mouth, vertical-grooved handle from rim to shoulder. Decoration consists of two bands on neck at junction of neck and body, and one horizontal group of circles on shoulder intersecting with a vertical group on each face. Subsidiary decoration consists of small concentric circles placed in the field. Lines on handle and around lip. In upper area opposite handle are three long crossing lines.