Cut-out repousse metal plaque with a hole at each top corner. Overall appearance of top half of a face with eyes represented by concentric circles, forehead, and a headdress with snakes descending on both sides. Near the centre of the headdress is a circle of cut-out triangles and other shapes (six total), and there are diagonal lines cut out from the edge. Gilded surface.

Cut-out, repousse, gilded square metal plaque with eight equidistant holes at edges. Same motif repeated on both halves: two heads, one up and one down, with plumes and one paw surrounded by bands with zig-zagged edges and rows of repousse dots at centre of bands.

The head cloth is long and narrow with a geometric pattern and long fringe. The pattern shows the same bipedal figure repeated six times in shades of brown, red, yellow and green. At both ends there is a band of diamonds in a diagonal pattern, followed by a section of tightly woven rows leading to a long multi-coloured fringe.

Textile with multi-colour stripes alternating with bands of geometric shapes in black and white. Each group of stripes is separated by bands of brown. The warp ends are finished by folding and machine stitching. One weft selvedge has all the thread floats from one colour area to the next.

Irregular, openwork piece of light orange cotton with designs of frontal human figures repeated in horizontal rows. In adjacent rows, the figures are in alternate alignment to allow closing spacing. The figures are shown with headdress and tunic with arms outspread. The background mesh is constructed on spaced, paired warps in a combination of weaving and knotting. The figures are embroidered in two thicknesses of cotton threads. Parts of one warp and weft are present.

A complete sheer head cloth constructed from two loom widths. Zigzag lines in alternating dense and open fabric cover the entire head cloth. Woven in a complex gauze weave on fine, tightly spun, white cotton yarns. The crepe-like texture of the head cloth results from the tightly spun, single ply yarns.

Complete loom width of dark yellow, weft-faced weaving with tapestry borders of interlocking spirals in red and dark yellow. Tapestry bands with feather motifs in red and two shades of yellow are sewn to both ends, next to the spirals. Fragments of seaming thread indicate the piece was folded transversely, and seamed together.

One complete panel of tie-dyed 'patchwork' tunic. Step triangles, dyed in red, green, and three shades of blue are arranged in radially symmetrical patterns. All colours have resist-dyed designs of small and large circles and bars. The colours line up in diagonal rows. Warp and weft selvedges are almost intact.

Long narrow band of red-brown bast fibre. Braided areas alternate with tapestry woven step blocks and step frets in red, green and yellow alpaca yarns. The dark outlining of the tapestry designs is almost completely deteriorated. The braided areas are three part. Part a is the large braided band, part b is a brown braided fragment, and c is a smaller brown braided fragment. The band is broken and very fragile.

Cut-out, repousse, gilded square metal plaque with eight equidistant holes at edges. Same motif repeated on both halves: two heads, one up and one down, with plumes and one paw surrounded by bands with fluted edges and repousse dots at centre of bands. Textile pseudomorphs and remains at two holes, these appear to be due to original hanging cords. Reverse side has a slightly duller metallic surface.