Polychrome-modeled and molded fish effigy with opening in its back and polished surface. Lower body has three horizontal black lines close to red-brown mouth on yellow-cream background and two pectoral and two pelvic fins in high relief. Upper body has two horizontal panels with 18 orange-brown square designs at both sides, and two dorsal fins in high relief. Broken and repaired.

Polychrome-polished bowl with pinched sides and rounded base. Painted design of four lizards in red-brown, orange-brown, grey and cream on black background. Also cream, lozenge-shaped designs. Red-brown interior. Unbroken.

Sub-globular polychrome-molded jar with rounded base, black neck and polished surface. Painted designs of two frontal deity faces with semi-proliferous whiskers and headdress ornaments separated by bands with geometric-vertical meander. Red-brown, orange-brown, grey, white and black, on orange-brown background. Breakage repaired.

Flaring straight-sided polished bowl with flat base and polychrome slip. Painted design of a llama head on white, black and red-brown rim with two small holes to its left. Square incised design in the interior. Motif of two winged anthropomorphic felines with orange-brown and grey faces divided by two chevron bands and circular designs on black and white and grey and white. Broken, but restored.

Polished and molded polychrome bowl with straight sides. Painted abstract design of six maize ears in dark red-brown, orange-brown and black on cream background with orange vertical lines between. Black rim, red at gambrel. Unbroken ceramic.

Garment fragments with geometrical decoration. Textile has open tapestry technique. Three bands are sewn together and have diagonal and geometric waves surrounded by stepped motifs. Brown, yellow-brown, green, red-brown and blue-green dyed camelid wool threads.

Headband of plaited plant fibre. Diagonal interlaced basketry technique. Slightly worn; complete.

Embroidery fragment with three light yellow-brown thread lines in border and blue decoration on brown ground. "S" torsion and 2x1.

Cloth fragment with geometric decorations in blue dyed camelid wool threads. Plain weave textile technique. Incomplete.

Woven textile band fragment. Geometric wave motifs in red-brown, cream and brown camelid wool yarns; squares are outlined with black wool. Open tapestry technique between squares, where sections of warp are left unwoven to give a semi-translucent effect. One edge has been sewn with red cotton thread as part of its restoration. Incomplete.