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Gathering of Nations2011.5

This traditional, coiled basket is created especially for the Museum for the tipi exhibition by the artist Carol Emarthle-Douglas. On a natural background, it depicts eleven different women, each wearing the traditional dress of her Tribe, or Nation. In her hands she extends out a three dimensional basket woven in the style of her people as if to present it to the entire world. This is reflected exactly the same on the inside where she extends her basket as if to her community of basket makers. Four different basket making techniques are represented and materials are as follows by Nation: Seminole-One-rod coiling- one coiled pine needle, wrapped with raffia Haida- Twining- Red and Yellow cedar bark, commercial dye Pomo-One rod coiling-Round reed wrapped with raffia, various colors Navajo- One rod coiling- Round reed wrapped with raffia, various colors Yakima-One rod coiling- Round reed wrapped with raffia, various colors Nez Perce-Twining-Waxed linen thread in brown, green and white Northern Arapaho-One rod coiling, Coiled cloth wrapped with wire core, wrapped silk thread Ojibwa-Bending bark, Cherry bark, artificial sinew, etched design Penobscot- Twining- Black ash, sweet grass Chitimacha-Twill- Black ash, yellow cedar Cherokee- Twill-Yellow cedar, dyed yellow cedar

Material
waxed linen thread, single-rod hemp core, yellow cedar wood, reed, raffia, sweet grass, pine needle, silk thread, cherry bark and artificial sinew
Holding Institution
Brooklyn Museum
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Bowl1891.49.99

Rectangular wooden feast dish with carved decoration on the outside and inlaid along rim with otters' teeth or operculum shell. [MJD 24/08/2009]

Culture
Haida
Material
cedar wood plant, red cedar wood, yellow cedar wood, operculum shell and pigment
Made in
Haida Gwaii, British Columbia, Canada
Holding Institution
Pitt Rivers Museum
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Thunderbird and Serpent2006-158/1

S'abadeb-Seattle Art Museum In the traditional repertoire of canoe paddles, there were several styles of blades and handles that were determined by the type of water travel in tended and by whether the paddles were made for men, women, or children. Today, artists replicate the functionality of canoe paddles but use the challenging vertical surfaces to create innovative designs. Bird imagery is often included on canoe journey paraphernalia and in the canoe songs and dances, because birds are symbolic of strength and pride, fitting symbols for these arduous but culture-affirming summer events.

Culture
Coast Salish: Puyallup and Coast Salish: Tulalip
Material
yellow cedar wood, paint and twine
Holding Institution
The Burke: University of Washington
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Model Paddle2004-92/134

The acrylic paint is black, red, and white.

Culture
Tsimshian
Material
yellow cedar wood and acrylic paint
Holding Institution
The Burke: University of Washington
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Canoe Paddle2437

The paint is black, red, and green.

Culture
Tlingit: Sitka
Material
yellow cedar wood and paint
Holding Institution
The Burke: University of Washington
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Model Canoe Paddle2.5E1552
Model Canoe Paddle2.5E1553

The paint is black and red.

Culture
Tlingit
Material
yellow cedar wood and paint
Holding Institution
The Burke: University of Washington
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Paddle2.5E1544

The paint is light blue, red, and black.

Culture
Tlingit
Material
yellow cedar wood and paint
Holding Institution
The Burke: University of Washington
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Model Canoe2.5E1021