Basketry strips. Two separate bundles of dried yellow cedar root. Strips are of varying thickness; one wider strip is tied in a circle; the other part is bundled together and tied with a strip of red cedar.

Bentwood box made of yellow cedar, with separate lid (part b). Box is deeply carved with images of birds on two sides, decorated with inlaid circles and ovals of abalone shell for eyes and feather decoration. Into one side of the box is carved a wolf, painted black, with 8 shell operculua creating an even row of teeth in the open mouth. Abalone shell is used for the eye and other decoraton. A flower with foliage is carved beside the wolf. The fourth side is carved into repeating triangular and oval motifs, with black and rust paint accents. The lid (part b) is raised on one side, with 18 shell opercula in 6 rows of 3 shells decorating the high edge. Edges are painted black, while the top is coloured rust. Lid has an inset lip at bottom.

Carved wooden rattle with stand (part b). Rattle has a round head, relatively flat, with strips of cedar looped around the outer edge. The front is decorated in a blue painted thunderbird motif with white accents, while the back is painted with a black thunderbird. The handle of the rattle is tightly wrapped with a braided cedar rope. The stand (part b) is cone shaped, with a hole at centre top into which the rattle's handle fits in order to hold it upright. The stand is undecorated except for black paint in and around the hole and base.

Tall glass sculpture with three cedar mount parts. A tall glass cylinder (part a), rounded at top and bottom, is the central piece in the sculpture, representing a trade bead. Its under-layer is frosted white, covered by a red frosted cut-out layer in swooping patterns and dots. It sits on a low, round cedar base (part b), carved along the edge, with a mat of woven cedar bark at centre. A hole in the middle supports a wood pole (part d) that extends throught the glass cylinder and is capped at top by small wooden lid (part c), carved similarly to the base.

Tall, double-sided, three-dimensionally carved vertical panel on stand. Killer whale and crocodile themes; one side is inspired by coastal Salish themes/imagery, the other side is inspired by Sepik River (Papua New Guinea) themes and imagery. Made of yellow cedar, walnut and rosewood, with ebony inlay.

"DRAWING SHADOWS TO STONE": PHOTOGRAPHING NORTH PACIFIC PEOPLES (1897-1902) (AMNH, NEW YORK, NY, USA, 1997)