Undecorated bentwood box with thick lid. Box, made of yellow cedar, is secured shut along the seam with four pegs; attached to a thin square base. Lid has a deep and wide lip, that protrudes out and completely covers the box opening. Base and lid both made of red cedar, and have rounded edges. Unsigned.

Model pole fully carved on the front and sides, and hollowed in a V-shape on the back. Likely carved of alder, with a separate base of painted fir. Figures represented from bottom to top include: a bear holding a killer-whale in its mouth; a human with its hands over the bear's eyebrows; a bear holding a downward-facing raven in its mouth; a salmon in the raven's mouth; a killer-whale in split view; an eagle. The pole is highlighted with some elements painted green-blue, black, red and white. Other areas are unpainted. The base is painted black and nailed on.

Model wooden totem pole. Carved figures from bottom to top: frog, beaver, killer whale(?), eagle, [unknown figure], frog, [bear/wolf/sea lion], eagle with an eaglet in front. The back of the pole is plain with a single metal tack.

Portrait mask. Mask is painted blue with large black eyebrows and black eye outlines. The eyes are carved out as circles; the nostrils are painted red; the mouth is slightly open and carved through with a rectangular opening, the lips are painted red. Below the lower lip is an inlay of abalone as the labret. On the back are four holes with a hide strap attached at each side. Artist’s inscription on back: RD 75.

Portrait mask with short white feathers along the top edge, along with four longer dark feathers. The face has large black eyebrows, black eye outlines, carved out eyeholes, and red nostrils. The mouth is slightly open, with red lips and carved teeth. There are four holes on each side on the back for hanging, with a hide thong. Artist inscription on back.

THE SHUSWAP. TEIT, JAMES MEMOIRS, 4, 1909

Small basketry rattle with a ball shaped head, made of woven basketry, with a wooden handle. Flicker feathers added for decoration, along with a round abalone inlay on the handle.

Yellow cedar sculpture depicting a female with two cubs on top and a bear at the bottom. There are fourteen operculum shell teeth set into the bear. There is a face carved on the underside of the sculpture. The back is hollow. Inscription on back, artist name, date, title.

Large wooden halibut hook. Two pieces of wood, lashed together by cotton sailor's binding, to form a V-shape. Iron spike is lashed at an acute angle to shorter arm. The hollowed-out arm is carved with an animal body, with exposed ribs, a hole in the chest, and vertebrae and a tail extending over the head of a bird.