Black and gold "Rey Caporal" mask (part a) with large bristly black beard and silver pipe and hat. Blue eyes are framed by fine gold tinsel. The mouth has six white teeth and a thick bottom lip, which fades from pink to blue and is decorated with white and black stripes. The tongue is red with a silver border. Curling black hair wraps around the back of the head into the beard. The beard has a white, tarp-like backing. The hat has a box at the front, resting on the brim, which contains five tubes for the five woolly sticks (parts b-f). The sticks alternate colours without the outside and centre sticks having yellow tops and brown bases, and the other two sticks having white tops and yellow bottoms. A cardboard placard (part g) with gold trim sits in front of the sticks.

'Spirit of the Ancestors' - This apron is the only contemporary Chilkat style weaving in the Burke's collection, and was woven by the only male Native weaver known to use this technique. Many believe that Tsimshian women originated this complex technique of weaving in the late 18th or early 19th centuries. This apron depicts a Raven with its wings outstretched.

Dance apron made of dark red felt with a dark blue wool backing, green and black appliques, beaded designs and rows of bells. The designs are beaded and appliqued plant-like shapes, copper shields and geometrical shapes, surrounding a flower on a long stem. Smaller copper bells hang in three rows at the bottom of the apron, with seven larger silver coloured bells decorating a plant shape above the bottom band. The left, right and bottom edge of the blanket have a scalloped edge. Red cotton apron ties hang on each side.

Museum Expedition 1904, Museum Collection Fund

Ceremonial apron with long wool(?) tassles that hang from a square of black velvet with leaf and flower embroidery. Leaves are green, and flowers are red, blue and pink. The velvet square has a red border with light blue swirl applique. Long tassles hang from the back of the apon in yellow, pink, green and dark blue. There are tassle fringes on either side of the velvet square also. The waist is made of a thick band of black velvet with heavy curlicue embroidery across the centre in light brown. There are metal clasps on either end to secure the apron together. There is also a black string tie sewn to the back to secure around the wearer's waist.

Large long dark blue jacket with open front. Collar is long and extends down to jacket waist and has a red wool trim around white and blue embroidery with snowflake designs. Jacket has light blue trim on the edges and two light blue stripes on the ends of the sleeves. There is white, green, red and yellow snowflake embroidery on the bottom of the back of the jacket and on the shoulders. The sides are slit up to the waist and the tops of the slits have tassels with beads and red wool. The neck of the collar also has strings of beads with red tassles which hang down the back of the jacket.

Figure of a black angel with a brown wooden base (part b). The figure has a black head and hands formed out of clay. The head of the figure is hair formed from many green cone-like shapes. There are small gold-coloured beads embedded in the cone-like shapes. The figure has white eyes with brown irises; its lips are red. The head is hollow to accommodate the base. The angel does not have a neck; instead, its head is attached to a knitted t-shaped dress, from which the angel’s arms are extended outwards. The dress has wool fibres intermingled with plant fibres. There are various small objects affixed to the dress. There are four bottle caps placed across the angel’s chest and arms. The bottle cap on the furthest left has a small image printed on paper embedded within it. The image depicts an angel appearing to a group of people with a European-style cathedral in the background. The image in the bottle cap to the right depicts a young shepherd holding a staff and surrounded by sheep. Right of this bottle cap, another image in a bottle cap depicts an older shepherd with a halo. The bottle cap on the furthest right has an image in it depicting an angel in a pink dress feeding birds. Below the bottle caps, on the left side of the angel’s torso, there is a small clothes pin that is painted blue. The clip holds a rectangular piece of paper with an image of a man printed on it; he is depicted from the torso up. The man has black hair and a black mustache. The man wears a blue suit jacket, blue vest and blue tie over a white dress shirt; he also has a white pocket square. Right of the image of the man is a miniature clear plastic bottle with a blue liquid inside. The bottle is tied to the dress with purple ribbon. Next to the bottle, there is a small bronze-coloured cross attached to the dress. Right of the cross, a miniature white and blue ceramic spoon is tied to the dress with purple ribbon. Below the picture of the man, there is a miniature white and blue cup tied to the dress with purple ribbon. Right of the cup, there is another bottle cap that has an image embedded within it. The image depicts Madonna holding baby Jesus. Both figures wear elaborate crowns and are surrounded by a yellow halo. Next to the bottle cap, there is a small clothes pin painted red. On the right side of the dress, there is a gold-coloured coin with an image of a domed building on one side and an image of Jesus Christ on the other. It is tied to the dress with green ribbon. Below the cup, there is a small plastic figure of a baby tied to the dress with a green ribbon. It has brown hair, black eyes and red lips. Right of the baby, there is a bottle cap with an image printed on paper embedded within it. The image depicts Jesus Christ holding a lamb. Below this bottle cap, there is a bronze-coloured flower with a stem and two leaves. Next to the flower, in the lower right corner of the dress, there is a bottle cap with an image of Jesus Christ sitting and praying embedded in it. The angel’s wings are made of two pieces of silver metal. They are knitted into the back of the dress. The base is formed by a thin cylindrical piece of wood that is held in a square wooden base.

Small brass offering dish, used to pour chicha. In its centre stands a small brass bull, attached by a pin protruding out of the centre of the dish. An incised star-like pattern decorates the inside of the bowl around the bull. The figures of angels are attached to either side of the bowl on the exterior, serving as handles. Around one is tied small pieces of yard in purple, red and brown.