Washer woman pull toy. A female figure with long braids tied up in green wool bows, holds a flat wood beater in her hands and leans over a wood washing board that slopes to the floor, A long white string hangs from the waist of her wooden body (under her long orange skirt) down through a hole in the flat base; when it is pulled, the figure bends forward and the beater moves down the board.

Lion puppet. Small, painted brown wood lion with brown wool mane and a rope tail has moveable jointed head and legs and is attached with strings to a wood stick. Facial features are painted on in yellow, white, black and dark brown.

Flat knitted female doll with numerous Bolivian coins roughly sewn onto the front of her orange striped sweater and pink skirt. The body is an empty knitted tube, open at the back of the neck, with stuffed green legs, arms and head with facial features and long brown braids.

Black skirt that is part of a girl's costume (2502/2 a-l). The skirt has a waistband that has a red and black geometric pattern with a horizontal green line around the middle on a cream-coloured background.

One-piece breastplate and apron of a Tungurahua style Corpus Christi dancer's costume is made of pieces of red material, sewn onto backing of scraps of beige, floral and green scraps, fringed with red wool, and bordered with a woven purple band that ends tied around the neck. Hand stitched into the red velvet, in different coloured wools, are floral motifs and the date "1964". In the centre of the chest area is tied a wooden cow, covered with silver foil and red/floral material to which are attached various beads and metal objects.

Breastplate from a Corpus Christi dancer's costume. Made of two pieces of cardboard that have been sewn together, covered with scraps of yellow, green, orange and beige material, fringed with orange, maroon, and beige wool, and decorated with turquoise, purple, and green ribbon. In the centre of each panel, paper appliqués of flowers, leaves, a bird, and stars have been stitched over with silver thread and coloured wool.

Retablo altar to the Virgin de la Candelaria Copacabana. Altar consists of a rectangular wooden box (a) painted white and red, the front of which has an arched top facade with painted crown and two door panels, that open outwards, painted with a scene of a church (b) and scene of a three crosses (c). Small painted female figure holding a baby stands inside the painted interior, on a blue pedestal, surrounded by a variety of paper flowers, sparkling silver urns, a plastic orb, and cards of religious characters.

Chimborazo-style headdress. Canvas is stretched and sewn around a rounded, grass-rope-bound wood frame that is stuck into a flat, rectangular piece of wood and mounted with red yarn onto the top of a painted paper mache cowboy hat. Numerous small objects sewn onto the red foil that covers the canvas at the front include small framed mirrors, plastic figures, strands of plastic and metal beads, wispy feathers, and paper cards. A large metal plaque decorated with a two-headed bird is tied onto the front brim of the yellow, white, blue and red hat.

Front apron from a Corpus Christi dancer's costume. Large square of orange material has woven yellow, maroon and orange waistband, is bordered on three sides with long stands of blue, yellow and green wool and a fringe of brown wool, and has peach coloured satin backing. Sewn and glued onto the front are an assortment of coins, metal buttons, metal bells, an animal tooth, plastic and glass beads, decorative motifs in wool, and silver, blue and gold paper foil stars and circles.

Corpus Christi face mask made of shaped and painted wire netting. Onto the pink wire are faintly painted eyes, brow and mouth in blue, black and red and around it is blue painted strip of metal. Strands of curly brown hair have been stitched to each of the upper corners.