Snuff mortar made of wood with a shallow well. The body is cylindrical in shape. It tapers slightly towards bottom, before flaring out again; base is slightly rounded. Two grooves carved around area that tapers; space between grooves bulges outward. Hole drilled into centre of base.

Small wooden humanoid mask with a plant fibre beard. Mask has a rounded brow with incised eyes underneath. Orange-red pigment, shaped like an oval, decorates the forehead; rest of mask is covered in brown pigment. "V"-shaped pieces of metal are embedded in each cheek; wide nose in between. Open mouth has protruding lips; four silver-coloured teeth embedded along bottom edge of top lip. Cotton headband is attached to top edge of mask; decorated with cowrie shells and a tooth. Mask has a flat back; small loop attached to top.

Long knife (part a), whittling knife (part b) and scabbard (part c). Long knife has a deer horn hilt carved into the profile of a bird’s head. Hourglass-like designs and curvilinear motifs incised throughout. Protruding from the top of the bird’s head and the beak are sections of short black and red hair. Hole drilled through pronounced nostrils, for hanging or attachment purposes. Hilt grip covered with woven band of rattan. The blade is convex on one side, slightly concave on the other, and widens from the hilt. Tip is angled. The whittling knife has a small curved blade attached to a long, slightly curved handle. Blade end of hilt decorated with a wide band of braided metal. Blades of both knifes are secured to hilts with resin. The scabbard is composed of a wood sheath for the long knife and a bark sheath for the whittling knife. Wood sheath made of two pieces of wood bound together with rattan. Ties alternate between single dyed strands and thick decorative bands. Bands, woven with naturally coloured and dyed strands, consist of “X”-shaped designs, concentric circles and knots. Wood is painted dark red and has incised motifs, matching designs on long knife hilt, throughout. Bark sheath is undecorated and secured to wood sheath with plain rattan ties. Braided rattan carrying cord, with looped end, threaded through bark sheath.

Thumb piano consisting of eleven metal prongs attached to a wooden base with a metal bar, secured with four hooks, and supported by a strip of metal sheeting. The prongs are flat at the tip and then curve upward at their ends, with balls of resin(?) attached underneath. The top and sides of the base have raised walls; the top wall is straight, sides curve inwards. The bottom flares outward and has a rounded edge. There are incised and burnt triangle designs on the sides and bottom of the base.

Model kayak made of skin, stretched over an internal wooden structure (part a). Strip of antler(?), secured with wooden pegs, lines front keel. Ends of kayak are capped with oval-shaped pieces of ivory(?). Two sinew rigging lines in front of the high-walled cockpit, and one behind. Two ivory fasteners attached to each line. A double-bladed paddle (part b), spear (part c), harpoon (part d), harpoon line rest (part e), and two tools (parts f and g) are separate. The paddle, spear, harpoon and harpoon line rest are made of wood with antler blades (parts c and d) and reinforcement components (parts b, c and e). The two tools are made of antler. The largest (part f) is flat with a straight handle and a curved tapering end. The smallest tool (part g) has a rectangular handle, with triangular indentations along the bottom edge, and a thin pointed tip.

Seven-stringed lyre with a wooden sound chamber covered in leather skin; skin secured with nails. Triangular wood frame extends from top of sound chamber, made up of two vertical rods inserted through the leather and connected at the top by a third horizontal rod. Third rod has raised decorations on the sides and a cone-shaped protrusion on the left edge. Seven bands of braided plant fibre are tied across the horizontal rod. Oval-shaped hole towards bottom of skin cover; seven strings inserted through it and are wound around horizontal rod, overtop the braided bands. Strings are stretched over a small rectangular soundboard, adhered to centre of leather cover. Two-tiered circular decoration on back centre of sound chamber. All components of lyre are darkened to dark brown; strings are black.

Tamer's headdress. Cedar bark headdress in the form of a rounded beak: two semi-circular flaps at front representing a beak with two long oval shapes that sit on top of beak, a hooked nose that projects out over the beak. Bunched cedar strips are attached at the top of the headdress frame with thick white string, and white string is wrapped around the base of the frame at the back. (Photos show mask without the nose piece; nose repaired in 2021.)

Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.

Carved wooden figure depicting a standing woman. She is forward facing, with a flat body, thin arms and rounded legs. Her feet are circular and have incised lines along the front edges, imitating toes. She has a wide neck and long, oval-shaped face. Her eyebrows are pronounced and she has a thin nose, and straight mouth. Her eyes are circular and inlaid with bone and obsidian. There are incised lines across her head, imitating hair, that extend upward, into a large bun, protruding from the top of her head. Her long, oval-shaped ears are along the back sides of her head. Holes are drilled into the lobes. On her front, her breasts are carved in low relief. Her right arm is bent, with her hand resting below her left breast. Her left arm is parallel to her body, with her hand resting over her groin. On the back of the figure, her shoulder blades and buttocks are carved in low relief.

Carved wooden figure depicting a standing woman. Her head is shown in profile and is facing down. She has a long, oval-shaped face with pronounced eyebrows and lips, and a long, wide nose. Her eyes are circular and inlaid with bone and obsidian. There are incised lines across her head, imitating hair, that extend into two buns, protruding from the back of her head. The figure’s body is flat and curves towards the left. Legs have a curved front and flat back. Feet are circular and have incised lines along the front edges, imitating toes. Her right arm is bent with her hand resting on her stomach. Her left arm is parallel to her body, with her hand resting near her groin. On the back of the figure, her shoulder blades and buttocks are carved in low relief. She has a white string knotted around her neck. Inscription on the centre of her back, reading "Soquel 1909."