Plank mask (part a) with circular face and tall, vertical superstructure. The white face has two widely spaced concentric circle eyes, and a small tubular mouth, both within a ring of repeating red triangles. There is a black with red tip downward-curving projection attached to the diamond-shaped panel above the head. Diamond-shaped panels connect both ends of the long rectangular board. The board is painted with geometric and zoomorphic shapes in black or dark red on a white background. Surmounted by a crescent-shape. Long brown plant fibre hair (part b) is attached across the back of the face mask, and hangs down.

Plank mask with circular face and tall, vertical superstructure. The face has two large concentric circle eyes outlined in repeating triangles, and a large tubular mouth. A diamond-shaped panel, with a black rectangle and off-centred white circle within, connects the mask to the long rectangular board. The board is painted with geometric shapes in dark brown-red and black on a white background. Surmounted by a crescent-shape.

Plank mask with circular face and tall, vertical superstructure. The face has two large concentric circle eyes, and a small tubular mouth within a painted triangle. Long orange plant fibre hair is attached at the back of the face mask with blue cords, and hangs down. There is a black downward-curving projection attached at the centre of the forehead. Diamond-shaped panels connect both ends of the long rectangular board. The board is painted with geometric and zoomorphic shapes in black or dark red on a white background. Surmounted by a crescent-shape.

Wooden door carved with central design of one row of two human figures flanking three Kanaga masks, two rows of five large human figures separated by geometric lines. The sides mirror each other, and each have a bird-like creature, a spear, and one large serpent. There are also geometric lines across the top and bottom, and metal joins at top and bottom holding together the two pieces of wood that the door is made from. There are some remnants of white pigment.

Carved and painted mask. The rectangular face section has two sunken rectangular areas on either side of the nose ridge, two rectangular cutout eye holes, and small pointed ears. The forehead is decorated with X's, creating a repeating diamond and triangle design that continues down each side of the face. The designs are painted dark red and black. The superstructure is a female figure with projecting breasts, square shoulders, arms bent at the elbow and held out to the sides. Her left forearm is shaped like a large ladle. She is wearing a red fibre skirt. She has red crest-like hair, and an earring in her left ear.

Mask carved from wood. The face is sunken, with a raised nose ridge down the centre of the face. There are two small rectangular cutouts for eyes. High on either side of the head are two long appendages. A long beak-like structure extends from the forehead, and again up from the centre of the head. There are areas where pigment is still visible.

Headdress or helmet carved from wood and painted. The dome-shaped helmet is painted dark red, and is decorated with a face on one side. The face has a long black nose, two white slits for eyes, arched orange-brown eyebrows, and a rectangular mouth with teeth bared. On each cheek and above the eyebrows are three marks. Two small pointed ears extend out on either side, and two larger off-white horn-like appendages extend up from behind the ears. Each horn has three horizontal lines and the tips are pierced. Standing on top centre is a small humanoid figure. On the opposite side is a blue lizard. There are holes drilled through around the rim.

Mask carved from wood. The face is sunken, with a raised nose ridge down the centre of the face. There are two small rectangular cutouts for eyes. High on either side of the head are two C-shaped ears. The brow ridge is rounded. There are areas where pigment is still visible.

Wooden, oval-shaped plaque-like mask. Square hole carved at the bottom and wing-like attachments are on either side, tied to the main body with roots(?). Attachments painted black, on both sides, with crosshatching designs overtop. Primarily done in white with red strokes throughout. Main body painted red-orange, on both sides, with rows of design overtop. Rows have large white “X”’s with thin black ovals in between. Centres of X’s are painted red-orange. Plain black bands between rows, trimmed in white. On the front, the centre oval in the top row has a white chevron border. Above the oval is a sculpted head. Cheeks of face are unpainted, the nose is red, and there is a large black beard covering the bottom portion of the face. It has one thick black eyebrow with two small white eyes underneath. Figure is wearing a headdress(?). Headdress has a red cap with an upside down white triangle in its centre. Headdress extends into a large black circle with white stripes. Area around square hole, on both sides, is unpainted.

Large “V”-shaped halibut hook made of two pieces of wood. Arms are tied together with fibre cording at the angled end. Longer piece is thin and straight, thicker piece has a triangular head and an iron barb tied to its other end. Barb faces inwards and is at an acute angle. Wooden wedge tied to thicker arm with fishing twine. Twine is long, fraying and white-grey. The thin arm of the hook is carved into an otter-like figure, with a hole through its middle. A thick and braided piece of fibre cording, with a knotted loop end, is strung through the hole.