Gift of Frederic B. Pratt

Open rimmed birch bark basket, sewn at sides with pale yellow root strips and stitched around rim with pieces of reddish-brown bark underneath and woven into strips of pale yellow root. Decorative row of plant motif designs around two longest sides. Darker side of bark on outside, paler inside. Signed, dated on base.

Gift of Mrs. Otto Goepel

Museum Expedition 1908, Museum Collection Fund

Museum Expedition 1908, Museum Collection Fund

Coiled tan basket with brown, triangle-like designs. The bark design elements are woven in briar root, which has limited distribution in California. While it is a difficult material to trim and work with it is a favorite material of Mary Azbil and she used it especially on baskets she made for family and friends. The design layout requires a great deal of planning and patience. Presentation baskets are invariably fancier than everyday containers and this basket appears to have never been used for food.

08.491.8679 basket is on the left. This basket has the plume or top-know motif on a cooking basket (bush-ka). These types of baskets with one or two patterns are found in the Maidu community of Mikchopdo at Chico CA. The design is valley quail and grape leaves (the diamonds).The quail pattern is weaver Wilson's best known basket design and can appear in different patterns: some called mountain quail and some, such as seen here, the more common valley quail, where the plume is curved and thick.

Museum Expedition 1908, Museum Collection Fund

This large, globular basket was purchased from the proprietor of the hotel in Ukiah. According to Dr. Hudson, informant to Stewart Culin, the Museum's curator, it is called a "chi-mo", literally, "Son-in-law). This was given to a man by his mother-in-law or the nearest relative of the bride. After the gift of this basket they may not speak to or even look at each other again. Twined "dowry" baskets are among the largest of all Pomo baskets. The technique here is called lattice twining in which two flexible weft strands twist around an additional, rigid element as well as vertical warp strands. This considerably strengthens the basket. Most baskets with horizontal band designs have an intentional change to the pattern, called a dau. While exact significance is obscure it has been regarded as the doorway for the spirits to enter, inspect, and then leave the basket when it would be destroyed.

By exchange