CHARLES EDENSHAW. WRIGHT, ROBIN K. AND DAINA AUGAITIS, CURATORS EXHIBITION CATALOG, 2013, Publisher: BLACK DOG PUBLISHING, LONDON, UK NORTHERN HAIDA MASTER CARVERS. WRIGHT, ROBIN K., 2001, Publisher: UNIVERSITY OF WASHINGTON PRESS

Headdress frontlet with a wooden bear crest, set within a frame, and painted red, green, and black. The back is unpainted. The frame as well as the bear's eyes, teeth, and paws have inlaid sections of carved abalone shell. Long ermine trailers hang down the back and sea lion whiskers stick out from the top. The headdress would have been worn for a Welcome or Peace Dance. The face's thick, heavy, black eyebrows help to corroborate this attribution. A fistful of eagle down feathers would be placed inside the center of the frontlet. As the chief danced and bowed and greeted his audience, the feathers would float out of his headdress symbolizing peace and friendship. In Tshimshian this was known as Am-halait or "power from the Sky." CONDITION: The object is in fair and stable condition. Special care in handling the piece should be taken for it was treated with arsenic in the past.

George Emmons collected this headdress from a chief of the Koskedi Raven clan at Sitka, Alaska. Although Tlingit headdresses are often attributed to the Tsimshian, many frontlets, including this one, are clearly Tlingit in style. The frontlet's height, the form and arrangement of figures, the blue-painted rim with its widely separated abalone plaques, the red trade flannel, and the mallard-skin border, all point to Tlingit origin. The figures carved on the frontlet are a raven and a large head that resembles a bear. (Holm, Spirit and Ancestor, 1987)