Part of a three piece gbariye (also see 3619/1 a and c). White pants with wide waistline that taper to narrow legs; made up of strips of cloth stitched together along the long edges. Background of strips is white, with silver and dark blue stripes overtop; threads are metallic. Openwork bands, made up of repeating crosses, along lengths of strips at varying distances. Heavy dark grey embroidery around leg openings, and along lower half of outer seam. Designs are an assortment of curvilinear, circular, and geometric motifs; together they form a crown-like pattern. Seam pockets on either side of waist, along front of pants. Small opening at front centre of waistline, for fastening and tightening pants.

Part of a three piece gbariye (also see 3619/1 b-c). Sleeveless white robe with large arm openings; robe flares out underneath the arms. Robe consists of strips of cloth stitched together along the long edges. Background of strips is white, with silver and dark blue stripes overtop; threads are metallic. Openwork bands, made up of repeating crosses, along lengths of strips at varying distances. Heavy embroidery around neck opening and across chest; done in pink and grey. Circular neck opening, with split, is trimmed with wide border made up of bands of swirls; edges of border are scalloped. Three flower-like designs frame bottom edge of neck opening on front; diamond, made up of swirls, frames bottom edge of neck opening on back. Two slits cut into either side of the chest; surrounded by identical borders and flower-like designs. Interior of robe is unlined.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by adding a single intersecting warp band to each end. Small white and silver beads, threaded on the weft before weaving, line the edges of the main band and the intersecting warp bands. Warp fringes. Woven of commercially spun yarn, probably synthetic or a blend.

A section of a golon (skirt band) that has been made into a belt by the addition of woven ties. The band has a pattern of diamonds and X’s against a red ground, woven in twill tapestry. The ties are woven in a complementary warp weave in wool yarns.

Coca leaf bag (chuspa) with woven strap, tubular woven edgings (ribetes) on seams and edges, and a tasseled fringe on the bottom of the bag. Both faces have diamond-based designs with jagged outlines and interior motifs of potato flowers (papa tika) on one face.

Belt (chumpi) with 3 bands of paired squares in navy/yellow (centre) and red/green (flanking); warps at both ends finished in braids that are fastened together by a plied tie.

Coca leaf bag (chuspa) with a single pocket woven into one face, a woven carrying strap, woven tubular edgings (ribetes) covering seams and edges, and a sewn-on edging of wrapped threads along the lower edge. Three pairs of pompoms made of wrapped threads also adorn the lower edge. Horses with flags and llamas repeat on the front face.

Coca leaf bag (chuspa) with a single pocket woven into one face, a tubular woven carrying strap, woven ribetes covering seams and edges, and a sewn-on edging of wrapped threads along the lower edge. Three pairs of pompoms made of wrapped threads also adorn the lower edge. Horses with flags, llamas, and birds repeat on the front face.

A dance sling (wichi wichi) consisting of a main solid braid with a finger-woven cradle, hand loop, and six tassels. The cradle, which is made of 3 strips that are loosely sewn together, was probably intended to hold a fruit or gourd during a dance. The braid is made up of 16 strands.

A dance sling (wichi wichi) consisting of a main braid with tassels at one end and five secondary braids with tassels that are attached to the main braid; all are solid braids. The pattern of diamonds on the solid braid is called “amapolas”, which is the name for a poppy that grows on the banks of rivers. The larger braid terminates at a small vestigial cradle, and a small solid braid with chevrons extends from the other side of the cradle.