Woman's white under skirt (slip). Garment is long and full, made of a translucent synthetic fabric with a heavy pattern embedded in the material. The cotton chest peice holds two wide shoulder straps and closes at the back with velcro. At the garment’s midpoint two layers of stiff tulle have been added to the interior, reaching to just above the hem, creating a full and rounded look to the garment’s silhouette.

Water puppet (mua roi nuoc) of a fairy character. Puppet carved from wood, with a white face, carved facial features emphasized with paint, a crown of painted petals in gold, red and green, and long gold and red earrings. She wears a full length robe with decorated shoulders and layered skirts, with a long gold and green panel at front. The puppet’s arms are wood, covered with wide sleeves of white polyester edged with coloured sequins. They are lifted by pulling on a thin plastic tube that emerges from the base.

Water puppet (mua roi nuoc) of a fairy character. Puppet carved from wood, with a white face, carved facial features emphasized with paint, a crown of painted petals in gold, orange and green, and long gold and orange earrings. She wears a full length robe with decorated shoulders and layered skirts, with a long panel and bow at front. The puppet’s arms are wood, covered with wide sleeves of white polyester edged with coloured sequins. They are lifted by pulling on a thin plastic tube that emerges from the base.

Water puppet (mua roi nuoc) of a fairy character. Puppet carved from wood with a white face, carved facial features emphasized with paint, a crown of painted petals in gold, red and green, and long gold and red earrings. She wears a full length robe with decorated shoulders and layered skirts, with a wooden bow at front. The puppet’s arms are wood covered with wide sleeves of white polyester edged with coloured sequins. They are lifted by pulling on a thin plastic tube that emerges from the base.

Water puppet (mua roi nuoc) of a fairy character. Puppet carved from wood, with a white face, carved facial features emphasized with paint, a crown of painted petals in gold, red and green, and long gold and red earrings. She wears a full length robe with decorated shoulders and layered skirts, with a wooden bow at front. The puppet’s arms are wood covered with wide sleeves of white polyester edged with coloured sequins. They are lifted by pulling on a thin plastic tube that emerges from the base.

Water puppet (mua roi nuoc) of a princess character. Puppet carved from wood, with a white face, carved facial features emphasized with paint, a crown of painted petals in gold, red and green, and long gold and red earrings. She wears a full length robe with decorated shoulders and an elaborate belt with leaf panels at each side and a long layered panel at front. The puppet’s arms are wood covered with long, wide sleeves of blue polyester. Thin plastic tube emerges from the base, likely used to lift the arms at one time.

Water puppet (mua roi nuoc) of a princess character. Puppet consists of the body (part a) and separated head (part b). Carved from wood, the puppet has a white face, carved facial features emphasized with paint, a crown of painted petals in gold with a green forehead ring, and long gold and red earrings. She wears a full length robe with decorated shoulders and chest, tiered colourful skirts and a long layered panel and bow at front. The puppet’s arms and hands are wood, covered with long sleeves of blue polyester. Arms are lifted by pulling on a thin plastic tube that emerges from the base.

Wayang hand puppet. The puppet, Un Kauw, has a human-like male head carved from wood, featuring sharp teeth emerging from below a pointed upper lip, a third eye on the forehead, two small faces protruding from behind each ear, and a small gold headdress perched on the receding black hair. Tall black boots are also carved from wood, as are the hands which are curved into fists with a hole bored through the centre. Legs are made from stuffed cotton, and the torso and arms of the puppet take the form of a cotton glove. The puppet’s robe has an upright collar, wide torso and sleeves, and a multi-paneled skirt hanging in front of the legs both front and back. The garment’s base colour is white, with heavy embroidery showing dragons, dragon scales, a butterfly at back, and decorative boarder motifs. The underside of the robe is lined with raw cotton.

Furisode (振袖) with hanabishi (花菱, diamond shaped flowers) and paulownia designs. Made of patterned silk in red, on a gold and pink background. Large circles containing small kanoko shibori (鹿の子絞り) patterns, flowers and foliage are scattered across the surface, with gold leaves in various sizes and small silvery blue flowers stamped on top. Kimono is open at the front, with long draping sleeve panels open toward the body. Small openings for the wrists are at outside top of sleeves. Kimono is lined with a cream coloured fabric.

Woven wool textile. Small textile is rectangular in shape, bottom corners rounded, with an un-patterned weave. Decoration is a series of parallel lines of varying widths in shades of red, dark red-orange, dark blue, and tan, with the tan areas holding images of horses, birds, large cats(?), foliage, pinwheels and other motifs. The colouring is reversed on the back of the textile. A short fringe decorates three of the edges.