The paint is green, white, black, gray, and orange.

The mask was said to have been made nearly one hundred years ago by a carver named Hayogwis for chief Gwalis Gyekhendzi. This chief was the grandfather of Willie Seaweed, whose work is well represented in the Burke Museum collection. (Holm, Crooked Beak of Heaven, 1972).

The paint is white, black, and red.

This whistle is unusual in that it combines two completely different sound-producing mechanisms. Whistles widely varying in size and pitch as well as in tone quality were used to represent the presence of certain spirit motivators of the Winter Ceremonial. This whistle belongs to the Tseyka version of the Bukwus (Man of the Ground). (Holm, Crooked Beak of Heaven, 1972)

The stories of seafarers are often peopled by monsters of the deep: bringers of bad weather, capsizers, devourers of men. The Yagim is all of those. Described as a destroyer of whole tribes, a shark-like monster who lurks behind canoes, or the source of storms, his name literally means badness. (Holm, Spirit and Ancestor, 1987)

Spectacular transformation masks, called t!ahlt!ahlumhl! (folding-out mask), are used during the Tlasula. When two panels open out from the center to reveal a human face with bear's ears, the grizzly bear is dramatically transformed.

The paint is black and red.

The paint is black, red, and white.