Figure of a man carrying a cacao pod. Left hand holds stem attached to top of pod; right hand rests on middle of pod. Eyes and mouth are open. Traces of red pigment are visible around mouth, ear and central ornament on figure's headdress. Figure wearing traditional loincloth (maxtlatl). Right arm is cracked and repaired; feet are broken off; small section of stone on finger near knuckle of right hand is missing; some surface chipping overall.

Large free-standing figure of a man on a thin rectangular base. Half circle headdress with incised decoration; conical hat fitting down into a broad headband. Face carefully modeled with decoration running from each eye across cheek. Ear plugs have strap-like pendants that hang down over shoulders. Recessed eyes and deep depressions of the ear spools probably held inlays. Below neck is breast ornament. Broad skirt hangs down to knees with incised textile designs. Densely patterned designs covering the upper arms, hands, abdomen and legs include ears of corn and feline heads and most likely represent tattooing. Elbows bent. Right hand on breast with fingers curling around empty socket, in which a banner or staff may have been inserted. The left hand rests against belt. Depression at the navel was probably used for ritual offerings. Other side of piece is a standing skeletal figure wearing a conical hat adorned with feathers. Arms are full flesh. Incised tattoo designs are on arms and legs. The feet end in claws. Belt and skirt have incised decoration. Figure is in good condition with overall signs of surface wear. Label copy: This sculpture exemplifies the dualism permeating Huastec and Aztec art. On one side, a life-size male figure wears a conical hat, large ear spools, and a skirt tied around his waist. Densely patterned designs, including ears of corn and feline heads cover the upper arms, hands, abdomen and legs - most likely representations of tattooing. The recessed eyes and deep depressions of the ear spools probably held inlays. The deep depression in the navel, the symbolic heart of the figure, was probably used for ritual offerings. The fingers of the raised right hand curl around an opening in which a staff or banner would have been inserted. The other side of the sculpture is dominated by a dramatic skeletal figure wearing a conical hat adorned with feathers and having feet that end in claws. The piece has been interpreted either as a cult statue to the god Quetzalcoatl or as a representation of a Huastec ruler.

Aztec stone figure. The circles on the headdress represent fire and the two horn-like projection on top of the head help identify the figure as Xiuhtecuhtli, the Lord of Fire. This deity was associated with fire and life as well as with the household hearth where food was prepared and household rituals were performed.The left side of the head represents life; the right side symbolizes death. This is an unusual representation of this deity. The body is a simple abstract form. Condition: Right arm has repaired crack. Conservation observed damage to nose in 1984; tip had been broken off and lost; area was tinted with watercolors to make it less apparent. Condition generally good. Overall surface wear. Recessed brass hole for mount.

Carved grey stone pipe bowl representing a youthful male in an attitude of submission. Crouching with arms pulled back along his sides, his head is strained forward, and his mouth is open with teeth exposed. His hairdo is elaborate with two beads hanging down over his forehead. He is wearing multiple beaded armbands, wristbands, and legbands. The bowl of the pipe is carved into his back.

Alfred W. Jenkins Fund

Alfred W. Jenkins Fund

Ella C. Woodward Memorial Fund

A dark grey stone head of a monkey whose eyes and mouth are shown open and whose tongue is sticking out. All the features are clearly defined through the carving and smooth finish. The sculpture is concave on the underside of the neck. Condition: good

Ella C. Woodward Memorial Fund