Bear claw headdress. Thick leather strip, stitched at the ends with 13 long, curved bear claws sewn on with sinew at their proximal ends. Distal ends are blunted and a small hole has been bored through each tip for cotton string to pass through, connecting the claws to each other in a circle. Several claws have come unattached to the string, and several are missing.

Pair of leggings constructed mainly of cotton; dark blue on the outside, with bright cotton and wool fabric decorations cut out and sewed onto the face. Designs are zigzags, colour blocks, rectangles, and ‘s’ shapes in red, yellow, purple, tan and green. A short, thick hide fringe surrounds the decorations and the bottom hem. The interiors are fully lined with tan and brown patterned cotton. Three leather ties are attached to each side of each legging, for attaching to dancer's legs.

Dance apron with a deer hoof fringe all along the bottom edge. The garment is made of a rectangle of red wool, with a large dip at the bottom centre hem. The front is decorated with thin horizontal lines of fabric sewn to the wool that follow the dip. The top line is black velvet, followed by lines of purple surrounded by blue triangles as well as lines of tan cotton and blue cotton. The back is lined with cotton in tan and checked tan and red. From the apron’s bottom hem hangs a long rawhide fringe with deer hooves attached to each hide strip by thread, tied through a hole bored in the hoof. Many of the hooves have been modified to have a decorative serrated edge. Two small, conical metal bells hang from a fringe on the left side.

Book of the Qur’an, inscribed in naskh script inside the cover. The first few pages are highly coloured and decorative. Most other pages of script are bordered by a simple band of gold and blue, with most of the script in black and red ink. Chapter headers are painted with brightly coloured decorative bands. The cover has a flowered pattern painted(?) onto the outside; a flower patterned paper adhered to the inside covers. Pages are loosely bound with string, currently only attached in one place to the cover. (Part b is a soft fabric cover that is sewn in the shape of an envelope; in storage.)

Bark cloth and feather headband made of a wide strip of undecorated bark cloth, folded over. Short feathers on hide are sewn to and covering the exterior. Some areas of feather are dyed in green or red, alongside natural black and white feathers. Long feathers are sewn to the bark cloth, rising high above the headband, taller at centre, declining in height toward the sides. All are dyed blue on their fronts, with the backs of the tallest coloured gold, and shorter coloured red.

Necklace made from a single large, crescent shaped piece of shell with ochre pigment on one side. Attached to a thick, woven, ochre-coloured woven band; one cowrie shell attached to band at each end. Three tufts of possum hair (on the skin) hang from the strap on short woven strings, also coloured with ochre.

Pair of metal binoculars. Eye piece assembly is made of brass, with a black patina. Below it at centre sits a rigged focussing knob. The barrels are covered in a hard black leather and flare slightly toward the objective lenses, which are lined with moveable tin tubes that have a pattern of incised, encircling lines.

String puppet (marioneta) of the character Vasco da Gama. He is richly dressed, with pants and tunic of brocade covered by a knee length cloak of blue velvet edged in fur and a matching hat. His boots are tall, folding over at the knee. A wide, braided belt of leather holds a sheathed wooden sword (part b) painted silver and gold. His face is bearded, and eyes are shiny silver plastic. Hands and face are delicately carved and very detailed. Puppet is moved by a wooden control stick, with marionette strings attached to head, shoulders, hands and knees.

String puppet (marioneta) representing the character Adamastor, mythological character, embodiment of storms. The core of the puppet is a mass of dark brown cragged wood, cork, large strands of frayed rope and torn white plastic, as well as several small white shells. The monster's eyes are barnacle shells. Grey paint has been added to all elements in a few areas. Falling from this amalgamation is a long torn piece of black cotton fabric, also rubbed with grey paint in areas. A leather and rusted metal belt buckle is tied into one corner. Part b is a wooden control stick, carved at centre, with the handle painted to look bone-like. The control stick fits into the central piece of cork in the head.

Mask made of brown leather with a protruding nose, red tongue and black horns. Black elastic tape crosses the back of mask to hold on wearer’s head. (Also, see costume: 2956/202 b-c and bells: 2956/202 d-h.)