Small cream-coloured, "jusi" fabric blouse with embroidered decoration. The blouse has short sleeves with folded cuffs, embroidered with a vine and flower design in white thread. The front of the blouse is similarly embroidered with twisted vines, small leaves and flowers, with small sections of holes scattered throughout the pattern. The front of the blouse is decorated with four groupings of three pearlescent, plastic buttons. The back of the blouse fastens with five metal snaps and a metal hook at the top of the back edge of the collar.

Small cream-coloured, "jusi" fabric blouse with embroidered decoration. The dark cream blouse has elbow-length sleeves with scalloped-edge cuffs, decorated with floral embroidery on the outside edges. The front the blouse is decorated with floral design embroidery in white thread. The design is twisted vines with small leaves and flowers with small sections of holes scattered throughout the pattern, especially inside the larger flower designs. The blouse front also has four groupings of three pearlescent, plastic buttons each. The back of the blouse fastens with five metal snaps and a metal hook at the top of the back edge of the collar.

Small cream-coloured, "jusi" fabric blouse with embroidered decoration. The blouse has short sleeves with scalloped-edge cuffs embroidered with flowers along the edges. The front section of the blouse is also decorated with white floral embroidery and two large flowers sitting in a sun shape, interiors decorated with small holes created by criss-crossed white fibres. This pattern is also scattered across the other sections of embroidery. The front of the blouse is decorated with four groupings of three pearlescent, plastic buttons. The back of the blouse fastens with five metal snaps and a metal hook at the top back of the collar.

Decorative bolero style wedding jacket. The jacket is ivory in colour with a large cream coloured bow across the front. The jacket has scalloped edges, a large, overlaying collar which tapers down to a u-shape in the back, and flared, elbow-length sleeves. The jacket fastens with four metal snaps and a metal hook. Its interior is lined with synthetic mesh while the exterior is made up of elaborate synthetic lace and floral designs decorated with plastic sequences, translucent and black plastic beads and groupings of plastic pearls at the centre of each lace and sequin flower.

Wedding dress with set of detachable trains. The wedding dress (part a) has an undecorated ivory bottom that tapers outwards in the back. The Maria Clara style bodice is covered in floral synthetic lace. These lace flowers are decorated with plastic sequins attached by translucent and black beads and plastic pearls at the centre of each flower. The bodice is lined with cotton fibre while the skirt is unlined and made from synthetic fabric. The bodice closes with a long metal zipper and a single metal hook at the upper hem. The bodice has two long loops for hanging as well as a fabric tag with the phrase ‘Arturo V. Cruz’ sewn onto it with black fibre. The two pieces of the detachable train (parts b and c) have sets of five metal hooks which lock into the fabric loops sewn onto the back of the bodice on either side of the zipper. The trains are slightly pleated at the point of attachment but are otherwise unadorned.

Flower girl dress. The lining of the dress is cream coloured satin, the outer layer an opaque cream chiffon with embroidered floral designs in light brown, pink and white scattered across the fabric. The sleeves of the dress are gathered and pleated with small chiffon bows. The pleats of the sleeves are decorated with groupings of two small faux pearls. The back of the dress fastens with a long beige metal zipper and a single metal hook and thread eye at the neckline.

Circular table cloth, off white in colour, with embroidery of light pink, dark pink, and light brown at the border and centre. The edge of the cloth is decorated in a flower, leaf and chain detail and is scalloped due to the embroidery. The centre of the cloth features a very large, intricate flower with leaves and curled tendrils. A circle of smaller flowers is embroidered around the central design. Extending outwards from this are four embroidered chains, each with small flowers at centre. Equidistant between the four chains are small flowers with stems and leaves.

Rectangular textile with sections of embroidery. The fabric of the textile is cream coloured and stiff. Along one corner there is a large triangular section of embroidery which consists of a white mesh background and a floral pattern embroidered in light white thread which has become discoloured to a light brown shade. The outer edge of the embroidery in the corner is scalloped and consists of joined loops. The main body of the embroidery is a large floral design. On the other half of the textile is a large section of embroidery, which consists of two mirror image designs with large flower patterns and scalloped, looped edges. Unintelligible, light marks in pencil on edges of all three sections of embroidery.

Large rectangular embroidered textile, cream coloured and stiffened. Two large sections of embroidery cover the majority of the textile and consist of a white mesh background with light coloured thread woven in a floral design. The floral patterns extend from a bottom border upwards to form a decorative point. Around this point are scattered flower and vine embroideries.

Large rectangular embroidered textile, cream coloured and stiffened. Two large sections of embroidery cover the majority of the textile and consist of a white mesh background with light coloured thread woven in a floral design. The floral patterns extend from a bottom border upwards to form a decorative point. Around this point are scattered flower and vine embroideries.