This is a dark blue wool cloth dress with three bands of ribbon trim, red and white, along the bottom hem and sleeves. Individual teeth are tied in a yoke pattern on the front and back of the dress. The dress has rows and circles of brass and tin sequins on the skirt. Purple, ribbed silk binds the neck. The bottom hem has geometric cut edge so that it dips lower on each side than the front and back, a reference to historical hide dresses where the legs of the animal would be kept and oriented to the sides of the dress.

This woven belt is unusual in that it has one coral bead and one white bead tied to its fringe as well as a length of red ribbon. This would not have been visible when the belt was worn as the woman would have tucked the loose ends behind.

Wooden kachina doll was identified as Chilchi by Stewart Culin however this kachina's mask and dress does not correspond to the kachina with the closest name, Chilili-and Chilili never carries or plays a flute. It is probably Paiyatemu, a kachina representing one of four youths who has two roles. One is during the corn grinding and fertility rituals in the Summer Dance series. When four maidens take their places to dance they play this type of flute as the maidens' song begins. Ribbons represent flowers. When he arrives with a different kachina, Hekshiva Shelowa, his body is black which may be why this kachina has black arms. He represents prayers and the return of good crops. He is also thought to be a powerful figure, an original medicine man. This elaborately dressed doll has a feather headdress and a fringed buckskin collar with a Maltese cross painted on the front. He has a bustle with ribbons on his back and carries a song flute and rattle.

The raffia is dye and red. The bear grass is natural. The ribbon is purple.

The ribbon is red and green. The bear grass is natural.

The bear grass is red and orange. The ribbon is silk and brown.

The kilt is wrapped around the waist and tied in place, the lower fringe reaching below the knees. In full dress the performer wears similarly made leggings below the knee, a button blanket or Chilkat blanket over the shoulders, and the appropriate mask or headdress. The kilt is a rich visual and auditory part of the whole ensemble. (Holm, Crooked Beak of Heaven, 1972)