Prop horn. Silver, metal horn with a lacquered wooden body; the wooden body has seven finger holes. End of wooden body is covered with a silver, metal fitting. The long reed mouthpiece is attached to this metal fitting. Part a: body of horn, part b: bell-shaped metal end piece, part c: mouthpiece.

Reed flute with no finger holes. One end has been left with only a small hole to allow the manipulation of sound.

Flute with six finger holes containing a rolled up paper with blue writing.

Two part quiver and 18 darts. Part a is a hollow reed quiver with red woven fibre sealing one end and a 4 cm band cut around the top of the other, on which to secure a rope. Part b is a longer hollow reed, sealed with tree tar at one end and corded fibre rope looped around the engraved band at the open end. Parts c-t are thin pointed tip darts made from palm wood.

Four interlocking pieces of reed, each with the centre peeled away, leaving a hard exterior and soft interior.

Quiver and dart set. Cylindrical wooden quiver (part a) with lid (part b) is attached to hollow corked gourd (part c) by rope-like fibre. The gourd is stuffed with a natural coloured fibre. There are forty-one barbed darts (d-ss), two of which have wound wool-like fibres at one end; part f is a piece of fibre.

Cantonese opera prop of a double-reed horn. Part a: Brass horn with a tapering ribbed wooden body--wooden body has seven segments, each with a finger hole. End of wooden body is attached to a tapering brass fitting with two spherical knobs centred on it. Part b: Small mouthpiece wound in copper wire--slides onto tapered brass fitting.

Prop horn. Double-reed brass horn with a tapering ribbed wooden body--wooden body has seven segments, each with a finger hole. End of wooden body is attached to a tapering brass fitting with two spherical knobs centred on it--small reed mouthpiece is attached to this fitting.

Long, yellow-brown flute with carved holes made from a bamboo-like length of reed grass. A separate reed is fitted into the mouthpiece and secured in place with twine. Wool and cotton string are wrapped around the lower portion of the flute in two places.

Woven mat with multicoloured fringe. The natural coloured strands are plaited diagonally with the edges folded over and woven back into the mat. The are eight rows of multicoloured fringe sewn onto the lower half of the mat.