Fragmentary ornament. Ribbons and stuffed decoration for a waist pouch or glasses case. Consists of a narrow ribbon of dark blue fabric to which are attached three three-dimensional stuffed embroidered fabric triangles and, at the end, four double-sided ribbons of patterned silk gauze in light green, bright green, and dark pink. The stuffed triangles are made of tan, dark blue, and dark pink silk, from the top down. Each is embroidered with different floral motifs, and each has a tuft of silk thread in various colours at each lower corner except for the first, which has only one.

Light brown man’s jacket. The centre opening has front panels that overlap to the right when tied closed with two long thick ties. The outer facings of the v-neck are rounded at the lower edge. The neck is finished with a white collar or facing with crumpled paper inside. The long wide sleeves curve upwards at the wrists. The light brown ties are sewn at the ends of the outer facing and cut with pinking shears creating a zigzag edge. A thinner brown tie is attached to the right inner facing with a corresponding tie on the left underarm seam. There is a centre back seam. The inside lining is unbleached cotton.

Short green jacket with floral pattern and striped sleeves. The centre opening has front panels that overlap to the right when closed. Two long thick ties are attached to the lower left facing and to the right of the facing. The left outer facing is rounded at the lower edge, while that on the right is straight and projects beyond the front edge of the garment. The neck is finished with a narrow facing or collar of white fabric. The body has a large gold peony motif repeated on green ground. The long sleeves are inset with seams angled outwards towards the underarms and are made of brocade stripes in six different colours parallel to the body of the garment. The stripes are embellished with woven yellow floral motifs. The seam of the sleeves, under the arms, has a pronounced convex curve, narrowing to the wrist. The inner lining is unbleached cotton.

Vest fastening in the centre front with five shell buttons shaped like flowers, made of dark blue damask with a fine overall flower pattern and a bolder pattern of flowers, all in reddish pink. Vest is decorated with gold stamped designs shaped like flowers and clusters of flowers. At the centre back there is a roundel surrounded by flowers and enclosing a dragon. On the front there is a pocket with an outside facing at each side, and on the left side above the pocket is a facing with no pocket. The vest is lined with white fabric woven in a pattern of small squares.

Purple coat with dark blue floral pattern. The coat has a front opening that overlaps to the left with ties. The coat has a v-neck with outer and inner facings of the same materials with rounded corners at the lower edges. There is a narrower outer facing or collar of white silk squared at the lower ends and sewn in place with invisible stitching. Two wide ribbon ties are attached at the mid-points of the wider facings and there are shorter, narrower ribbon ties on the inside. The sleeves are inset with straight seams and have slight convex curves at their lower edges. The coat has a pair of flared gussets under each arm and a centre back seam. There is a slightly flared panel descending from the mid-point of each outer facing so that the coat overlaps at the front when closed. There are small slits in the side seams at waist level. The inside lining is dark blue rayon.

Skirt made of two panels of shiny coral pink brocade with a woven overall pattern in white of gingko flowers and leaves. The skirt is open at the back and overlaps when tied. The panels are pleated and inserted into a band of unbleached cotton, the upper edge of which is scalloped, with the points of the scallops meeting the ends of two shoulder straps of the same material. At the ends of the band are long ties of the same material.

Dark blue skirt. The skirt is made of three panels of silk gauze woven with roundels enclosing a bat motif and character on a ground of small rectangles. The selvedge is grey with a fine burgundy line. The skirt is open at the back and the right panel overlaps the left. The skirt panels are pleated and inserted into a band of unbleached cotton. The upper edge of the band is scalloped, with the points meeting the ends of two shoulder straps of the same material. The band opens at the front and the front seam is left unstitched near the top.

A straight-cut robe that goes with sash (2503/3 b). It is made of light green gauze with a front opening and high side slits, which are faced on the inside with red binding. The sleeves are made of bands of cloth that are vertical when the arms are extended, in (from the body outwards) red, pale pink, medium blue, pink, light green, red, cream, and blue. The sleeve ends have red facings. The lower ends of the sleeves are rounded. Two front panels meet at the centre and do not overlap. Neck opening is edged in red silk and has narrower edging of white silk pasted to paper which is somewhat soiled. Front edges, bottom edge, side slits, and neck are all faced with bands of red gauze.

A hand made circular lace doily. The main concentric abstract design is consisting of a central hole surrounded by eight petal-like holes, surrounded by eight crocheted petal-like shapes with eight five-sided holes at the outer sections of these petals. Then more loosely crocheted design around the outer circumference, which is circular with sixteen crocheted protuberances, each made of three crocheted loops.

A hand made circular lace doily. The main concentric abstract design is consisting of a central hole surrounded by eight petal-like holes, surrounded by eight crocheted triangles, surrounded by sixteen half circle holes. The outer design is consisting of eight tree-like shapes with inward facing stems. Outer periphery is irregularly circular with protruding crocheting loops, particularly edging the pattern which is between the tree-like designs.