Thin belt adorned with beads and shells. Decorations form a repeating pattern of red beads and rawhide strips, framing two rows of shells, with a row of green beads in the middle. Tassels of red beads, shells and rawhide tied to one end. Belt fastens with a button made from a slice of antler.

Band of bent antler tied together at ends with hide tie. Engraved with repeating pattern of small circles, with a dot in the middle, and two lines underneath each circle. Four drilled holes replace four of the circles.

Band of bent antler, tied together at ends with hide strip. Engraved with repeating pattern of circles, with a dot in the middle, down the centre and straight and diagonal lines carved along the edges. Drilled holes top four of the pairs of lines on one side of the band. Two lines around the band separate the three patterns.

Large band of bent antler tied together at ends with two hide ties. Engraved with repeating pattern of circles, with a dot in the middle, and pairs of lines carved near both edges. Drilled holes top the pairs of lines on one side of the band. Two lines around the outside surface separate the three patterns.

Hollow bone tube with bands of cross-hatching at each end. Brown twisted hide cord wrapped around middle, leading to long loop. Cord is reddish on some edges and has been darkened by use.

Basketry violin case. Case in the general shape of a violin, with a long neck and widening of the upper and lower bouts. Lid is attached with two small decorative metal hinges at back, and closes with a hide tie at front. Case is heavily decorated on the exterior with red and black cherry bark and grass beading, in a checkered pattern. A woven cedar bark handle is attached below the front tie closure, attached on one side by a hide loop and the other by a brown and yellow shoelace.

Hide pouch constructed of two rectangular pieces of thin hide, sewn together on three sides with an open top. A short fringe lines the outer edges on the sides and bottom. The front of the pouch is decorated with a line of red fabric along all edges and four blue fabric lines running diagonally from each corner to the centre where they meet a circle of white and yellow glass beads. A short handle of twisted red and tan fabric is attached to the pouch at the top corners. Two small white abalone buttons are sewn to the top back of the purse and correspond to holes in the front for closing. The back and interior are undecorated.

Pair of leggings constructed mainly of cotton; dark blue on the outside, with bright cotton and wool fabric decorations cut out and sewed onto the face. Designs are zigzags, colour blocks, rectangles, and ‘s’ shapes in red, yellow, purple, tan and green. A short, thick hide fringe surrounds the decorations and the bottom hem. The interiors are fully lined with tan and brown patterned cotton. Three leather ties are attached to each side of each legging, for attaching to dancer's legs.

Dance apron with a deer hoof fringe all along the bottom edge. The garment is made of a rectangle of red wool, with a large dip at the bottom centre hem. The front is decorated with thin horizontal lines of fabric sewn to the wool that follow the dip. The top line is black velvet, followed by lines of purple surrounded by blue triangles as well as lines of tan cotton and blue cotton. The back is lined with cotton in tan and checked tan and red. From the apron’s bottom hem hangs a long rawhide fringe with deer hooves attached to each hide strip by thread, tied through a hole bored in the hoof. Many of the hooves have been modified to have a decorative serrated edge. Two small, conical metal bells hang from a fringe on the left side.

Riggs Pueblo Pottery Fund