Part of a tumbuan body mask/costume. Fibre mask, conical in shape with a sennit fringe around the bottom edge and outlining the central face. The entire body is painted with a faded white, black and red zigzag-like pattern. The face has a red triangular pattern outlined in black on a white ground. The eyes are black woven circles with holes in the middle; the red nose is woven and protrudes out with a long bundle of sennit hanging down from the tip. The brow consists of black bird skin while the painted forehead is lined with cassowary feathers and toped with a piece of cuscus skin. The inside is hollow.

Tumbuan body mask/costume. A tall conical fibre, woven mask with two faces. At the top is a bird-like face crowned with cuscus fur and cassowary feathers; it has a long, protruding beak with a large feathered tassel at the end. At the centre of the body is a black human head made of clay with inlaid shell eyes and decoration; the top has human hair and feathers. Above are open eyeholes for the wearer, on the sides are armholes. The mask is of woven rattan over a bamboo frame, painted with red and white stripes and other detailing.

A bulging conical helmet style mask of woven rattan with a large crest for a nose and concentric rings for eyes. The back is open at lower bottom; the inside is unpainted. Exterior has geometric zig-zag designs around face, and block of colour on top of head. Black painted conical 'ears', one each side. A leather loop hangs from the top, a woven loop is at the tip of the nose.

Rectangular mat in plait and twill weave with coiled borders. Mat is made of natural green to light brown cane with yellow cane supports on the sides, and rattan wrapped borders.

Miniature circular fish net with willow reed around the border for support tied on with loose widely spaced coiling of single-strip rattan. Two knots near centre.

Bottle-shaped basketry trap with inverted lid attached. Twined, circular neck flares outwards. Inverted cone lid attached with one strand. Alternating sections of medium flat woven weft and narrow rounded twined weft. Dark brown colour. Loose weaving to allow water in.

Blowgun of natural light brown wood. Wide metal lance-olate blade lashed to muzzle end with worn braided binding and five sets of rattan. Shaft tapers from mouthpiece to muzzle. 1.1 cm. wide hole at each end. Pith at centre is bored with a very small hole (slightly curved) for darts.

Blowgun of natural dark brown wood. Thin metal lance-olate blade lashed to shaft with four sets of rattan binding, the lowest one of which is wrapped around four times while the middle two are wrapped around twice and the top one is wrapped around multiple times. Muzzle is plugged with pandanus leaves. Shaft widens slightly from muzzle to butt end, where it flares to form mouthpiece. Mouthpiece slightly concave; hole at centre (0.9 cm.) edged with red wax. Pith inside hole with small hole bored through length.

Male samurai figure (part a) seated on horse (part b) with one arm perpendicular to body, holding a rattan staff (part c) with his right hand. Left arm rests near long curved sword, attached to waist with silk cord. Quiver with five arrows on back. Figure made of straw, has white ceramic face and black fibre wig, dressed in gold silk brocade, with armour of gold coloured metal lamellae laced with red and pale blue silk and brown leather. Horse (part b) of paper mache(?) is covered in imitation grey fur. Brown glass eyes. Reins of purple and white diagonal striped silk, bridle and long body fringe of red silk, saddle of leather, lacquer, silk and fur.

Mouth organ consisting of 17 cane pipes, each with a free reed of thinner wood inserted around the circumference of flat side of black lacquered wooden container shaped like an elongated hemisphere, with a neck to use as a blowpipe. 13 pipes have 0.25cm. round hole and 2cm. split in cane; 4 pipes have neither hole nor split. Both neck and container have bone decoration, forming mouthpiece of neck and at bottom of bowl. Canes held in place by rattan strap.