Wood rectangular face mask (part a) with tall ladder-like superstructure. The face mask has two sunken rectangular areas on either side of the nose, and two cutout square eye holes below a rounded brow ridge. Attached to the back of the mask is brown plant fibre hair. Extending from the top of the head, between the blue ears, is a tall superstructure of openwork panels alternating between various hourglass shapes, and lines, tapering in at the end. The superstructure is two sections, split between the fifth and sixth panel (part b). The two sections are tied together with small strips of leather.

Ceramic vessel (part a) with a dark red-brown burnished surface and incised markings along the shoulder. The design features a solid horizontal line, with repeating arches above. Each arch is composed of three lines, with two upside-down triangles at the top centre. The mouth is circular, with raised and flared lip, and the base rounded. Wicker base (part b).

Plank mask (part a) with circular face and tall, vertical superstructure. The white face has two widely spaced concentric circle eyes, and a small tubular mouth, both within a ring of repeating red triangles. There is a black with red tip downward-curving projection attached to the diamond-shaped panel above the head. Diamond-shaped panels connect both ends of the long rectangular board. The board is painted with geometric and zoomorphic shapes in black or dark red on a white background. Surmounted by a crescent-shape. Long brown plant fibre hair (part b) is attached across the back of the face mask, and hangs down.

Plank mask with circular face and tall, vertical superstructure. The face has two large concentric circle eyes, and a small tubular mouth within a painted triangle. Long orange plant fibre hair is attached at the back of the face mask with blue cords, and hangs down. There is a black downward-curving projection attached at the centre of the forehead. Diamond-shaped panels connect both ends of the long rectangular board. The board is painted with geometric and zoomorphic shapes in black or dark red on a white background. Surmounted by a crescent-shape.

Ceramic vessel (part a) with a red-brown burnished surface and incised markings along the shoulder. The design features a solid horizontal line, with repeating arches underneath. Within the space between every second arch is a cross shape. The mouth is circular, with raised and flared lip, and the base rounded. Also a round wicker base (part b) for the pot to sit on.

Butterfly mask with long wings extending out to either side. The red face with four white semicircles has two large concentric circle eyes, and a small tubular mouth. There is a black and red downward-curving projection attached to the forehead. The wings have mirrored designs, with two panels containing opposite-facing semicircles of triangles. The wing tips are white with eight-point stars within a black circle. The back has a black and white checkerboard pattern on the wings. Attached to face is plant fibre hair dyed dark brown, orange and dark teal.

Bird mask carved of wood and painted. The mask has a two sunken rectangular spaces, with zigzag side edges, cutout domed eyes, and pointed ears. The mask is painted with an orange-brown and a red-brown. On top stands a bird figure, with its head down, and beak attached to the top of the mask. The bird's back and wings exposed. There is twisted plant fibre cord woven into a partial net attached at the back of the mask.

Face mask. Shallow mask with rounded head that comes to a point at the chin. Narrow cutouts for eyes and slightly upturned mouth. The sides of the nose continue out on each side creating the brow ridge. There is a single hole on either side of the face, with a short length of twine attached. There is a single hole in the chin that does not go completely through the wood.

Double-headed cylindrical metal drum with off-white rawhide skins at both ends (part a). Interlaced skin ties stretch and secure the skins. A single strip of rawhide is wound through the ties around the centre with a looped handle. Curved wooden drumstick (part b) with flat head. A short length of plant fibre is tied behind the flat head and attached in a notch partway down the shaft.

Woven bilum (bag) covered with layered rows of brown feathers on one side. Extending from the tightly woven band at the top is a short handle. The bag alternates between rows of dark brown and dark reddish-brown. On one side of the bag, dark brown feathers with light grey tips, are attached by looping the feather's shaft through the bag, and securing it by bending it back through a split in the shaft.