A club carved from heavy, dark-brown hardwood with large knobs on the top end, and a zigzag pattern on the handle. Half way along the decorated handle there is a band of braided natural fibre wrapped tightly around it.

A wide, flat comb made from black pointed sticks. The parts are tied together and secured by a fine patterned weave of yellow and red plant fibre. Some areas are covered with a reddish clay or pigment. The comb has 27 pointed prongs.

Band of braided plant fibre with cowrie shells. The largest shells are stitched to the middle section, with smaller shells near the ends.

Comb carved from brown wood which is topped by a carving of a human face and chest surmounted by a headdress to which small grey and white feathers have been attached with strands of plant fibre. This portion of the comb is carved and decorated with painted colours (white, sienna, yellow ochre). The human figure has a wooden nose bone of a lighter coloured wood. There are eight prongs on the comb which are not decorated, and are around 13 cm in length each.

Walking stick surmounted by a two-faced head. The two-faced carving has one face with a closed mouth with fangs, and another with an open mouth and protruding tongue. The eyes of each face are inlaid with shell. The staff is made from rough wood (or possibly root?). There is a thick fibrous cord attaching the top of the staff to the main shaft. The cord, handle and carving are all coloured with a reddish-brown ochre pigment.

Figure carved from a single piece of wood, decorated with intricate painted patterns on all sides. In lines and dots, colours are black, yellow ochre, red-brown, and white. Mid-way down the arm on either side is a band of small orange and light-green feathers wrapped with plant fibre. The figure’s arms and legs end in flat surfaces, with no hands or feet. The head and neck are long and narrow, face flat with a small nose and angular chin. Round eyes are small, and mouth is shallowly carved.

Geru board, or headdress. Made of thin plywood in a large diamond shape at centre, with a partial circle at top, and to the sides two ‘arms’ branching off at angles both upwards and down, separated by a small triangle. The board is painted red, blue and yellow mainly in triangle and diamond shapes, with front similar but more complex than back. At bottom is a headpiece lined with red cotton fabric, and topped by a synthetic orange material. Two wooden handles are attached to the bottom of the headpiece and wrapped with plant fibre. Part b is a plywood piece that has broken off one side of the headdress.

Cloth figure depicting a birth. A bed is made of light brown fabric, and holds inside it a large central figure lying on her back, with distended stomach. A small head emerges from beneath the bottom of her blanket, into the arms of a figure wearing a white shawl. To each side of the mother are attendants in blue shawls. All figures have large, triangular heads, with broad embroidered features. The mother's blanket is made of tightly woven wool in a multicoloured linear pattern. Her arms are small twigs wrapped with fibre.

Spear thrower. Tool is long, thin and leaf shaped. Rounded resin grip at one end and a squared tip at the other. Plant fibre and resin are wrapped around the tip to hold a small upwardly curved piece of wood, upon which a spear woutld attach. Tool is flat on this side, and slightly convex on the other. Lacquer applied to surface has a fine bubbled texture.

Wool and plant fibre doll. A small boat is constructed of unbleached fabric layered over a stiff framework, likely plant fibre or husk. Fine brown netting is wrapped around the ends of the boat and spans the length of one side between them. Three woolen figures sit inside the structure, each with a large head covered at back by a woven hood, red stitching for facial features, and arms constructed of plant fibre wrapped with yarn. Each wears a striped woven sweater and a burlap skirt.